击破：平台剧场合作交流计划（4月10－12日／新加坡滨海艺术中心演出）

日期：2008年4月10～12日

时间：8：00pm

地点：新加坡滨海艺术中心 Esplanade Theatre Studio, Singapore

语言：探索、失败或威胁？

于2006年，“击破：平台剧场合作交流计划“ 聚合了3为来自于不同文化源流，并在国际得到认可的著名剧场导演－－罗国文、Jo Kukathas以及 Nam Ron。再结合本地各艺术领域的创作者，如张忠勇、赵少杰和区琇詒，携手合作为观众在国家语文出版局的小剧场带来一次精彩而深刻的演出。“击破：平台剧场合作交流计划“结合了三个单元，（一）请，安静（二）［思想＋自分］报告 以及（三）WIP，运用戏剧、视觉以及声音的元素，以及诗意，或幽默，或批判的手法探索“语言“在马来西亚的位置和困境，为不同文化与艺术领域提供了一个交流的舞台。“击破：平台剧场合作交流计划“引起了颇为热烈的回响，更于次年获得第五届金马仑艺术奖7项提名。               

本地著名艺术网站 Kakiseni曾评论“击破：平台剧场合作交流计划“，不仅挑战观众对于“语言“的既定想法，也挑战了我们对于语言课题以外的思考。“击破：平台剧场合作交流计划“于2008年应邀前往日本和新加坡作国际巡回演出。这次还邀请了年轻作曲家黄楚原为演出作全新配乐，再结合丰富的演员阵容，如 Anne James、Sukania Venugopal、颜果、陈彩真、李瑞强等人，这群源自不同文化和语言背景的演员们即将于2008年4月10至12日晚上8时，在新加坡滨海艺术中心小剧场粉墨登场。此次演出为滨海艺术中心“The Studio"实验剧场艺术季的节目之一。

欲购票着可上网 www.esplanade.com 或 http://www.thestudio.com.sg/2008/

THE STUDIOS, Singapore Esplanade Theatre Studio

A bi- annual theatre project in Malaysia, Pentas Theatre Collaboration Project is a platform of interaction within different cultures and realms and encourages diversities and possibilities in theatre arts and theatre language.

Three theatre directors are invited to participate and a common theme is decided by mutual agreement. The directors then create their individual pieces based on the discussions and the three pieces are then presented in the same evening.                                                                                  

                                                                           

The 2006 collaboration, based on the theme of Language, was between three Malaysian companies, Pentas Project Theatre Production, The Instant Cafe Theatre Company, and Alternative Stage Theatre Company. The result was a triple-bill of plays -Silence, Please (English) directed by Jo Kukathas, Repot [Mind+Mine] (Mandarin) directed by Loh Kok Man and WIP (Malay) directed by Nam Ron.                                                                                                              

BREAK-ING / 击破 (ji po) / Ka Si Pe Cah had stage in Tokyo in Feb 2008 before playing at The Studios season.                                                                                                                                               

"These three pieces, as a whole, have challenged us not only in our thinking about language, but also in our thinking beyong language." - Kakiseni.com                                                                     

In English, Mandarin, Cantonese, Hakka, Hokkien and Malay, with English subtitles where necessary.                                                                                                                                                        

Date and Time : 10~12 April 2008 @ 8:00pm

Venue : Esplanade Theatre Studio, Singapore

Contact info : 63485555 (singapore) 

Website :  The Studios

Break-ing /击破 (Ji Po) / Ka Si Pe Cah

Break-ing /击破 (Ji Po) / Ka Si Pe Cah :
Pentas Theatre Collaboration Project
Asian Contemporary Theatre Project

Date
14, 16 & 17 February 2008

Venue
Setagaya Theatre Tram

The Lost and The Ecliptic

城失空想

The Lost and The Ecliptic 

10 memorandums of a devastated and crippled amnesiac 

當傳統的敘事全身而退

你將會遇見一個視覺、聽覺及經驗式的劇場異想世界

由平台計劃和吉隆玻表演藝術中心聯合呈現的「城失空想：一個殘缺不全支離破碎失憶症患者的十個備忘錄」，即將於2007年10月4日至10月14日在吉隆玻表演藝術中心正式登場。

是次演出為平台計劃自2005年創團以來的第三個年度製作。由著名劇場工作者和平台計劃藝術總監羅國文導演的「城失空想」，集合了本地各領域充滿創作力的藝術工作者勢必為觀眾帶來一場前所未有的視覺和聽覺餉宴。其中包括了澳洲建筑系畢業的劇場／藝術工作者張忠勇、英國音樂系畢業的音樂創作者黃楚原、台灣戲劇所畢業的文字創作者陳燕棣、美國實驗影像所畢業的影像裝置藝術家區琇詒、香港舞蹈系畢業的舞者吳振輝、新加坡戲劇系畢業的演員陳淑真以及本地劇場著名演員Shanthini Venugopal。

Venue: The Kuala Lumpur Performing Arts Centre, PENTAS 2

Date & Time:  

Thu 4 - Sun 14 Oct 2007 (Tue - Sat: 8.30pm; Sun: 3pm; No show on Mon) 

Tickets RM35/ RM25 （students, senior citizens & the disabled） 

Special Flat Rate for Tue & Wed show RM25 

Ticket Contact KLPac: 03-4047 9000; TAS@BSC: 03-2094 9400 

Phone 012-266 1579 / 012-274 4292

Synopsis An ordinary black box transformed into an unimaginable magical space - that's what you're promised at the production of “The Lost and The Ecliptic: 10 memorandums of a devastated and crippled amnesiac.” Aside from the story itself, the performance puts a focus on the usually neglected theatrical elements such as the lighting and visual images, putting them on par with the performers. This is the third annual production of Pentas Project, since 2005. Directed by renowned theatre director Loh Kok Man, the production is a collaborative effort between artists from various fields, including Au Sow Yee, Caecar Chong, Ng Chor Guan, Tan Yan Tee, Amelia Tan, Shanthini Venugopal and Steve Goh. Co-presented by Pentas Project and the Kuala Lumpur Performing Arts Centre

Antigone

present
912 Workshop

912 '06 Theatre Training Workshop
Final Production

Written by
Sophocles

Directed by
Loh Kok Man

Casts
Chai Pui Sam
Moh Yee Siang
Tan Wee Boon
Sing Poh Tiang
Lee Kok Ping

Original music & sound
Ng Chor Guan

Set Design
Caecar Chong

Lighting Design
Tan Eng Heng

Venue
MCPA Theatre

Date
13&14 October,2006
@ 8:30pm
15 October,2006
@ 3:00pm

Play Time 遊戲時間 （2005）

The Kuala Lumpur Performing Arts Centre presents
A Pentas Project (平台計劃) production

11～14 August 2005 @ 8:30pm
13 & 14 August 2005 @ 3:00pm
at KLPAC, Pentas 2
Ticket: RM30 (Adult), RM15 (Student, Senior, Disabled)

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秒、分、小時、日、月、年、世紀、光年…我們仨
是在數字的謎陣里玩著時間的遊戲
還是在時間的迷宮里玩著數字的遊戲
可惜，就僅只有我們仨………?

Seconds, minutes, hours, days, months, years, decades, centuries, light years…
Are the three of us
Playing the game of time in the matrix of numbers
Or playing the game of numbers in the labyrinth of time,
Yet, there are just
the three of us ………?

在一个无法辨别出时间的莫名空间里，有三个不知道是什么东西的东西。岁月的不断流逝，已使他们连自己是谁，来自哪里，叫什么名字也搞不清楚。他们三个一同生存在这个空间已经好久好久，生活的无聊让他们觉得无趣而乏味，他们不断的想出各种游戏来让自己的生活变得更快乐。

这一天，他们一同编制一场游戏，邀请了一位演说家和许多的客人，希望能在众多的宾客中发表自己的想法与完成自己的梦想。

只是，到底哪些是虚，哪些是实呢？

In an unknown space where time is ambiguous, lives three unknown creatures. The ever drifted time has made them forgotten their identities, who they are, where they are from, and even their very own names. They have inhabited this space for a very long time.

The dullness of their lives have made them bored, hence they are always thinking of all kinds of games to make their lives happier.

Today, they are planning for a game, inviting a public speaker and lots of guests to their space, hoping to express their thoughts and fulfill their dreams among the guests.

However, which is the reality and which is the illusion? No one can tell.

Inspired by <Les Chaises> E. Ionesco

Executive Producer: Faridah Merican
Directed by : Loh Kok Man 羅國文
Cast: Gan Hui Yee 顏慧怡. Sui Shiang Chi 水毓棠, Ling Tang 鄧壹齡
Set Design : Chan Kok Hooi 曾國輝
Music Design : Bernard Goh 吳聖雄
Image Design : Charles Jong 楊國忠
Lighting Design : Loh Kok Man 羅國文
Graphic Design : Caecar Chong 張忠勇
Copywriting : Au Sow Yee 區琇怡
Production Manager : Jason Lai 黎百齡
Production Coordinator : Mira

由吉隆坡演艺中心呈现，本地著名表演艺术工作者罗国文执导的最新作品～《游戏时间》将于2005年8月11日至8月14日，在新成立的吉隆坡演艺中心(The Kuala Lumpur Performing Arts Centre)和观众见面。《游戏时间》是「平台计划」的创团作，共将作6场演出。

「平台计划」成立于2005年，国文希望透过剧场表演、活动以及课程去建立一个更为成熟的、当代的、多元的，交流频密且开放的剧场平台。同时藉由合作、交流、分享和相互学习去尊重与珍惜不同文化和艺术领域间的差异，以开拓剧场艺术的新视野与合作空间。

《游戏时间》结合了优秀的剧场工作者，阿果、邓壹龄以及水毓棠的精湛表演、近年备受各戏剧奖肯定的舞台设计工作者，曾国辉的舞台布景、杨国忠的造型设计以及手集团艺术总监吴圣雄的音乐创作，希望为观众带来深具水准的演出。

《游戏时间》的创作灵感来自荒谬剧大师尤金.伊欧涅斯科的《椅子》。国文在 《游戏时间》里延续他在语言以及剧场语言的探索，透过游戏的方式，去思考身份定位、时间、孰虚孰实、社会荒诞现象等问题。希望观众在得以享受一场视觉与听觉的饷宴之余，能回头反思关于自己以及所处社会的种种隐忧。

“Play Time”, a new play by renowned local performing artist Loh Kok Man, will be staged at the newly constructed KLPac (The Kuala Lumpur Performing Arts Centre) from 11th to 14th August 2005. Presented by KLPac, “Play Time” is the debut performance of “Pentas Project”.

Established by Loh Kok Man in 2005, “Pentas Project” hopes to build a mature, contemporary and multi-facet stage. It is a theatre stage that enthusiasts interactions and openness. “Pentas Project” hopes to respect and appreciate differences between diverse cultures and art fields, through collaboration, interaction, sharing and learning, and hence open up new horizons and collaborative spaces in theatre arts.

“Play Time” unites some of the most talented artists in performing arts. Among them are excellent performers like Gan Hui Yee, Ling Tang and Sui Shiang Chi, stage and set design by the emerging and most anticipated Chan Kok Hooi, image design by Charlie Jong and music design by the artistic director of Hands Percussion, Bernard Goh.

Inspired by “Les Chaises”, a script written by the master of Absurd Theatre, Eugene Ionesco, Kok Man extends his interest in exploring the issue of language and theatre language in “Play Time”. Through games, Kok Man hopes to reveal questions such as identity, time, ambiguities between facts and illusions and the absurdity of our society. While audiences will be enjoying a feast of visual and sound, “Play Time” would hopefully also be a thought provoking piece.

About Pentas Project 「平台計劃」簡介

創辦人兼藝術總監/ 羅國文

「平台計劃」成立於2005年。「平台」，即平面的舞台，是一個沒有瓦牆與界限的交流場域。

多元文化和語境一直是馬來西亞獨有特殊的原生環境，東西方文化的歧意和衝突形成的混交特色，催生出風格獨具的藝術形式。「平台計劃」的成立緣起，就是冀望從這個多元文化器皿中汲取養分，以多元交流凝視自身、瞭望國際。 「平台計劃」是一個開放的劇場合作計畫，藉由多元藝術形式的凝視、擦撞、實驗和媾和，醞造多元不設限的藝術交流。「平台計劃」也是一個移動的魔術游擊隊，成員們的養成修持，囊括表演藝術、錄像、建築、舞踏、詩等形式各異的藝術專精，他們在其中呼吸、思考、創作，自由而相容。團員們在不斷加強自身專業裝備之餘，也常跨足平台以外，積極探索形式各異的藝術交流合作，尋求藝術專精的躍進，打造幻詭迷人的藝術魔法。

Founder & Artistic Director/ Loh Kok Man

Malaysia is a multi-racial and multi-cultural country with differences in language, religion, and ethnicity. And these differences have combined and influenced each other, eventually influencing the emergence of diverse art forms and streams that are unique. The establishment of Pentas Project hopes to get its nutrients from the multi-cultural society, and to look into ourselves while gazing at the world.

• Founded in 2005 by Loh Kok Man
• “Pentas Project” in Chinese would be 「平台計劃」 (ping tai ji hua). The first two characters「平台」 (ping tai), indicate a flat stage. 
• “Pentas Project” envisions a stage without walls or boundaries, a stage that can be more transparent and equal, a stage for interaction and understanding that can strengthen the relationships between different cultures and realms. 


Objectives of Pentas Project

1. To build a mature, contemporary, and multi-faceted stage which encourages interaction and openness. 
2. To learn, explore, understand, and open up new horizons and collaborative space in theatre arts. 
3. To respect and support differences through collaboration, interaction, sharing and learning, and furthermore, to appreciate the unique of diversity in our society and field.

Pentas Project Facebook link :

https://www.facebook.com/PentasProjectTheatreProduction

Instragram :

https://instagram.com/pentas_project?igshid=OGQ5ZDc2ODk2ZA==

Past Performances / Events：

2022

📎 The Tale of Dreams 「夢的故事」

    （Japan+Malaysia+Taiwan International Collaboration Theatre Project)
📎 The Swordfish, Then The Concubine 「劍魚◉妾」

2021
📎 The Others Story of Ah-Q 「阿Q外傳」(Staged Reading 讀劇表演)

2020
📎 The Games Of Polyamory Life 「多重戀愛人生遊戲」 (Staged Reading 讀劇表演)

2019
📎 Richard & She 「理查與她」 (The 30th Asian Monodrama Festival, Geochang, Korea)

2018
📎 The Tragicomedy Of Errors 「錯誤的悲喜劇」
📎 A Modern Woman Called Ang Tau Mui 「一個紅豆妹的摩登師奶」

2016
📎 The Swordfish, Then The Concubine 「劍魚◉妾」

2015
📎 Red Demon 「赤鬼」
📎 The Six Graduates 「六個畢業生」

2013
📎 Kuan Du Arts Festival 關渡藝術節2013 「Animal Farm 動物農莊」
📎 Philippe Gaulier : Master Class In Acting <Neutral Masks and Greek Tragedy>
        (Kakiseni presents, co-organised by Pentas Project & Capri Communications)
📎 Hiroshi Koike Project – Mahabharata
        (collaboration project with Hiroshi Koike (Japan)at Phnom Penh and Hanoi)
📎 Double Punctum 「雙重刺點」 dance (co-presents with Niche Design)
📎 Durian Beckett 「貝克榴槤」 (Kakiseni Fest, Kuala Lumpur)

2012
📎 Philippe Gaulier : Master Class In Acting <Le Jeu>
        (Kakiseni presents, co-organised by Pentas Project & Capri Communications)
📎 HUNCHBACK 「背彎」 (Pentas Emerging Theatre Artist Program 2012)

2011
📎 Animal Farm 「動物農莊」

        ( Re-stage at Pentas 2, The Kuala Lumpur Performing Arts Centre )
📎 Macau City Fringe Festival 2011 <A Modern Woman Called Ang Tau Mui
        澳門城市藝穗節2011「一個紅豆妹的摩登師奶 」
📎 Secondary School Theatre Camp ( Foon Yew High School, JB )
📎 A Modern Woman Called Ang Tau Mui 「一個紅豆妹的摩登師奶」
        (Woman 100 | Performing Arts Fest, Kuala Lumpur)
📎 Theatre Workshop by Pradit(Tua) Prasartthong from Makhampom Thailand
        (Woman 100 | Performing Arts Fest, Kuala Lumpur at Pentas Studio)
📎 The Next Door 「隔離鄰舍」

        (Malaysia + Thai Theatre Artists Collaboration Project at Thailand) &
        (Woman 100 | Performing Arts Fest, Kuala Lumpur)

2010
📎 The Next Door 「隔離鄰舍」

        (Malaysia + Thai Theatre Artists Collaboration Project at Thailand)
        (1st phase September 2010 / 2nd phase December 2010)
📎 Shanghai International Contemporary Theatre Festival 2010 – Demonstration Activity by Pentas Project
📎 Blind Love (平台新導演計劃 Pentas New Director Project 2010)
📎 The Jacques Lecoq Training Method Performance Lecture & theatre workshop
        賈克樂寇訓練示範講座及表演工作坊 (by Ms Ma Chao Chi from Taiwan 講師:馬照琪/台灣)
📎 The Lost and The Ecliptic 「城失空想」 – THE STUDIOS : Belonging(s)
        at Esplanade theatre on the bay, Singapore. And re-stage at Kuala Lumpur Performing Arts Center,         Kuala Lumpur.
📎 Noh Theatre workshop / public talk / demonstration
        co-present with the japan foundation KL, conducted by Professor Richard Emmert

2009
📎 Toilet 「廁所」 at Pentas 2, Kuala Lumpur Performance Arts Centre
📎 Artom Bomb : Pentas Cross Disciplinary Art Project
    「藝術核爆．平台跨領域交流計劃系列 2009」
📎 Delusions 惑 Khayalan :Pentas Theatre Collaboration Project
        at The Annexe Gallery, Central Market, Kuala Lumpur.

2008
📎 Animal Farm 「動物農莊」
        ⇘ The 7th Annual Boh Cameronian Arts Awards
         ⇘ Won Best Director, Best Set Design and Best Costume Design
        ⇘ Nominated Best Lighting Design, Best Music and Sound Design and Best Actor in Supporting Role
📎 Repot [Mind+Mine] 「【思想+自分】報告」 Malaysia Tour @ Penang
📎 Break-ing: Pentas Theatre Collaboration Project
        Re-staging at Kuala Lumpur Performance Arts Centre, Pentas 2
📎 Break-ing: Pentas Theatre Collaboration Project
        invited to perform at THE STUDIOS at Esplanade Theatre Studio, Singapore + February 2008,
📎 Break-ing: Pentas Theatre Collaboration Project
        invited to perform at Asian Contemporary Theatre Project at Setagaya Public Theatre, Tokyo.
📎 Theatre Workshop by Pradit (Tua) Prasartthong from Makhampom Thailand
📎 Theatre Workshop “Acting in Drama by Mr. Chu Hung Chang from Taiwan
📎 Jacques Lecoq Technique Theatre Workshop by Ms. Ma Chao Chi from Taiwan

2007
📎 The Lost and the Ecliptic 「城失空想」 #Won Best Lighting Design,
        ⇘ Nominated for Best Director and Best Set Design in the 6th BOH Cameronian Arts Awards

2006
📎 Break-ing : Pentas Theatre Collaboration Project 2006 「擊破：平台劇場合作交流計劃」
        A collaboration with Alternative Stage and Instant Café Theatre Company
        Won Best Original Script (English) for “Silence, please” written by Jo Kukathas in the 2006 BOH             Cameronian Arts Award
        ⇘ Nominated for Best Group Performance [“Repot (Mind+Mine)” and [“Silence, please”] ,
        ⇘ Best Director [“Silence, please” ],
        ⇘ Best Lighting Design [“Repot (Mind+Mine)],
        ⇘ Best Set Design [“Silence, please”],
        ⇘ Best Music and Sound Design in [“Silence, please” ],
        ⇘ Best Original Script (Bahasa Malaysia) [“VV(WIP)”].

2005
📎 Play Time 「遊戲時間」
        Won Best Costume Design in the 2005 BOH Cameronian Arts Awards
        Nominated for Best Group Performance, Best Director, Best Music and Sound Design in the                     Theatre category

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平台劇場合作交流計劃 Pentas Theatre Collaboration Project

（一）  擊破：平台劇場合作交流計劃 2006  

              Breaking/Ka Si Pe Cah: Pentas Theatre Collaboration Project 

Participants：Jo Kukathas, Nam Ron, Loh Kok Man, Anitha Abdul Hamid, Anne James,            Caecar Chong, Lee Swee Keong, Sukania Venugopal, Thiagu, Gan Hui Yee, Lim Yeow Haw, Moo Siew Ken, Tin Tan Chai Chen, Where, Ayam Fared

（二）    惑：平台劇場合作交流計劃 2009 

                Delusions/Khayalan : Pentas Theatre Collaboration Project

Participants: Au Sow Yee, Ayam Fared, Jo Kukathas, Edwin Sumun, Soon Choon Mee, Loh Kok Man, Mark Teh, Kathy Tan, Moo Siew Keh, JacAL Map, Kirin Muhammad, Hafizaa Hatta, Anne James, Amelia Tan, Eagle Lee, Low Shee Hoe, Boyz Chew Soon Heng

國際戲劇工作坊 International Theatre Workshop

2013 📎  Philippe Gaulier : Master Class In Acting (Neutral Masks and Greek Tragedy)

               ( Kakiseni presents, co-organised by Pentas Project & Capri Communications )
2012 📎 Philippe Gaulier : Master Class In Acting ( Le Jeu ) 

                ( Kakiseni presents, co-organised by Pentas Project & Capri Communications )

2011 📎   Theatre Workshop by Pradit(Tua) Prasartthong from Makhampom Thailand 

               (Woman 100 | Performing Arts Fest, Kuala Lumpur at Pentas Studio)
2010 📎  賈克樂寇訓練示範講座及表演工作坊 (講師:馬照琪/台灣) 

2010 📎  日本能劇 工作坊 / 講座 / 示範演出 

                (與吉隆坡日本文化協會聯合主辦, 講師：Professor Richard Emmert) 

2009 📎  一個字說一個故事/劇本創作坊 (高俊耀）

2009 📎  身體會知道/肢體工作坊 (高俊耀）
2008 📎  賈克樂寇技巧初級表演訓練工作坊 (台灣沙丁龐克劇團──馬照琪)
2008 📎  演劇工作坊 (台灣知名演員──朱宏章)
2008 📎  Mr Pradit (Tua) Prasartthong劇場工作坊（泰國Makhampom劇團）

藝術核爆．平台跨領域交流計劃系列 2009
Artom Bomb : Pentas Cross-Disciplinary Lecture Series VII

（一）這是一個文化產業的時代 （梁菲儀/台灣莫比斯圓環創作公社 ）
（二）「古」蹟保存是最「新」時尚玩意 （張集強 ）
（三）《林明》老鎮社區藝術計劃 （張敏華 ：「老鎮社區藝術計劃」計劃主持人 ）
（四）针孔摄影实验工作坊 （西川智也 Tomonari Nishikawa/日本） 
（五）《听见空气的色彩》Colours in the Air （胡智義 Joseph Foo + 何開耀 ）
（六）王嘉明 X 後現代創意絞肉機 （王嘉明/台灣）
（七）遷移中的聲色光影 Traveling Light （區琇詒的實驗電影+表演性電影）

平台新導演計劃系列 Pentas New Director Project

（一） Blind Love  /2010  (導演：李奕涵 ）
（二） Hunchback 背彎 /2012 （導演：陳彩珍）

圓桌匯意 Round Table YI Collectivo

一個平等、對話、分享、交流、討論與協商的對話交流平台。希望通過每次不同主題的圓桌會議形式，匯集各方意見，建立一個表演藝術相互分享知識與想法的交流平台。在促進表演藝術工作者相互深入了解的同時，並延伸至對本土表演藝術生態與體制的了解與思考，通過對其他人的觀點進行討論，彼此之間沒有階層，沒有權威，不受束縛，從而達到相互學習與交流的目的。

圓桌匯意由羅國文發起，雲手基金會主催、戲劇聯盟聯辦。

圓桌匯意一：2017日本横滨TPAM國際藝術舞台會議之交流分享 （羅國文） (2017, March 12)
圓桌匯意二 : 參與“亞洲製作人平台”心得分享會 （陳魚簡） (2017, April 9)
圓桌匯意三 : Role of MyPAA in the performing arts ecology of Malaysia by （Izan Satrina） (2017, May 28)
圓桌匯意四 : 當文化遇上政治 （陳亞才） (2017, June 11)
圓桌匯意五 : 劇場人需要戲劇聯盟嗎？（孫春美） (2017, July 20)
圓桌匯意六 : 兒童劇，誰在看？（賀世平/洪綉晴） (2017, August 20)
圓桌匯意七 : 藝術工作者的權益保障 （林芳萍律師/文競傑律師/顏貝兒律師） (2017, September 24)
圓桌匯意八 : 戲劇歸檔的建構工程 （黃愛明） (2017, November 12)
圓桌匯意九 : 國際表演藝術市集交流觀察與體驗 （陳魚簡/羅國文/廖慧鳴） (2018, March 28)

舞入企途：舞蹈圓桌會議 2017-2018
Dancing Forward : A Round Table For Dance 2017-2018

主辦單位：雪隆廣青舞蹈團、手足.舞計劃、平台計劃

Co-organised by: Kwang Tung Dance Troupe, Dance Body Project & Pentas Project Theatre Production  
 

📎 舞入企途⼀ : 舞者的生存:「舞」中生有，你要往哪裡走? (2017, Sept 10) 

        （主持人：姚麗洙/劉佩靜/許斗達 ）

📎 Dancing Forward 1: The Dancers' Survival : Where do you go from here? 

         (2017, Sept 10) （Hosts: Yeo Lai Chee, Lau Beh Chin, Koh Doh Tat.）

📎 舞入企途⼆ : 表演藝術工作者的意圖思辨(一) (2017, Dec 10) （主持人： 黄楚原/李人欣） 

📎 Dancing Forward 2: The Performing Arts Practitioner's Intention, Reflection & Trajectory #1 

         (2017, Dec 10) （Hosts : Ng Chor Guan, Lee Ren Xin）

  

📎 舞入企途三 :    表演藝術⼯作者的意圖思辨(二) (2018, March 2) 

        （主持人：張偉來/劉詩豪/廖正彬 ）

📎 Dancing Forward 3:The Performing Arts Practitioner's Intention, Reflection & Trajectory #2 

         (2018, March 2) （Hosts: Chang Wei Loy, Low Shee Hoe, Raymond Liew）

                    

📎 舞入企途四 :    從個人的⼯作中談本地現代舞的走向與類化 (2018, June 9) 

       （主持人： Faillul Adam/黃志雄/Bilqis Hijjas ）

📎 Dancing Forward 4: Choreographic Directions in Contemporary Dance 

         (2018, June 9) （Hosts: Faillul Adam, Wong Jyh Shyong, Bilqis Hijjas）

📎 舞入企途五 :    舞者的流動所帶來的變化 (2018, August 28) 

        （主持人：黃志雄/郭少麒/張凱森/陳美向）

📎 Dancing Forward 5: Influences on Dancer’s Mobility: A Sharing Experience 

         (2018, August 28) （Hosts : Wong Jyh Shyong, Jack Kek, Kyson Teo, Tan Bee Hung）

📎 舞入企途六 :    探究並梳理舞蹈創作與當今社會的關係 (2018, Dec 19) 

      （主持人：姚麗洙、許斗達、劉佩靜、黃楚原、李人欣、Faillul Adam、黃志雄、陳美向）

📎 Dancing Forward 6: Dance and Our Society: A Study and Revisiting (2018, Dec 19) 
       （ Hosts : Yeo Lai Chee, Koh Doh Tat, Lau Beh Chin, Ng Chor Guan, Lee Ren Xin, Faillul Adam, Wong Jyh Shyong, Tan Bee Hung）