September 11, 2026

遙遠的東方有一群鬼 The Ghosts Within 12~15 November 2026

 


遙遠的東方有一群鬼
The Ghosts Within

聯合呈獻:平台計劃 + W PRODUCTIONS
合作單位: 駐馬來西亞台北經濟文化辦事處
Presented by : Pentas Project Theatre Production & W Productions
Supported by : Taipei Economic and Cultural Office in Malaysia & Ministry of Culture, Taiwan (R.O.C.)

台馬劇場交流 | 跨國共製 X 經典重寫
Taiwan-Malaysia International Collaboration Theatre Project

經典轉世|跨時空改寫易卜生《群鬼》,直擊東方家庭的偽善與道德禁錮
A Timeless Classic Reborn
Henrik Ibsen's Ghosts transcends time and culture, confronting the hypocrisy and moral restraints of the Asian family.

實力製作X口碑保證|平台計劃與W Productions三度聯合鉅獻
Award-Winning Collaborations. Proven Excellence
The third major collaboration between Pentas Project and W Productions.

跨國陣容|雙料劇后張曉彤 × 正邪同體沈威年 × 劇場鬼才蔡德耀 x 金鐘入圍李劭婕
Across Borders, On One Stage
Two-Time Best Actress Siew Thung × Master of Duality Nelson Shen × Theatre visionary Yeo Lye × Golden Bell Awards nominee Clara Lee

編劇:簡莉穎  Playwright : Chien Li-Ying(Taiwan)
導演:羅國文  Director : Loh Kok Man
製作人 :葉偉良  Producer : William Yap

演員 Cast:
張曉彤 Siew Thung
沈威年 Nelson Shen(Taiwan)
蔡德耀 Yeo Lyle
李劭婕 Clara Lee(Taiwan)



佈景與道具:曾维凌  Set & Props : Weilin Chan
音樂與音效:李河健  Music & Sound : Kent Lee
多媒體  Multimedia:Fairuz Sulaiman
燈光設計:林偉星  Lighting : Sing Lim
造型設計:呂素君  Stylist : Beatrice Looi 

Date & Time :
12th Nov 2026 (Thu) 8pm
13th Nov 2026 (Fri) 8pm
14th Nov 2026 (Sat) 3pm, 8pm
15th Nov 2026 (Sun) 3pm, 8pm

Venue : 
Pentas 2, The Kuala Lumpur Performing Arts Centre

Ticket Price :
RM68 Early Bird ( Limited to 20 tickets per show. Ends 30 Sept 2026 )
RM88 Standard
RM128 Patron of Arts
RM300 Group of 4


有時候不誠實,是因為在意。至於在意什麼,鬼知道.........
Sometimes, we choose dishonesty because we care. 
What it is we care about… only the ghosts know.

繼叫好叫座的黑色幽默劇《蜂》(2024)以及諷刺寓言劇《動物農莊》(2025),由平台計劃與W Productions三度聯合重磅制作,駐馬來西亞臺灣經濟與文化辦事處為合作單位,葉偉良製作、羅國文執導、臺灣劇作家簡莉穎代表作品《遙遠的東方有一群鬼》,將於2026年11月12日至15日假吉隆坡演藝中心 klpac 的 Pentas 2 上演易卜生《群鬼》附身在當代亞洲東方家庭的暗黑寓言- 《遙遠的東方有一群鬼》。

經典轉世:從19世紀歐洲家庭,窺見當代亞洲人性

羅國文獨特的劇場美學,將與簡莉穎冷靜犀利的文本正面撞擊。從上一代秘而不宣的陰暗中層層窺探,一個虛幻與謊言共構共生的家庭故事。為謊言所困卻愛聽謊言的母親、善於操弄謊言卻也被謊言愚弄的養子、看盡謊言卻渴望謊言的親生兒子,以及質疑謊言卻迎合謊言的媳婦,共同召喚出暗藏扭曲陰魂不散的權威倫理,挑戰觀眾對東方價值觀之道德禁錮與偽善的反思。

簡莉穎以易卜生經典名作《群鬼》——一個19世紀歐洲社會的受道德禁錮與偽善的家庭作為參照,利用跨時空、跨文化的手法轉世書寫一個當代亞洲家庭的縮影。以銳利的社會觀察與細膩人性描寫著稱的簡莉穎(Netflix獨播臺灣原創影集《人選之人—造浪者》編劇之一),長期關注家庭結構、性別、權力關係與當代社會議題。其創作經常以「重寫經典」與「文本轉譯」為方法,將西方經典劇作轉化為貼近華人文化語境的當代敘事。

跨國卡司:四位實力派演員同台,演繹兩代人的家庭角力

集結臺灣與馬來西亞兩地實力派演員——臺灣影視劇場演員沈威年與金鐘獎入圍者李劭婕,聯手馬來西亞資深劇場導演兼演員蔡德耀,與戲炬獎最佳女主角張曉彤,同台展開兩代人之間相互對峙的家庭謊言、親情綁架與儒家倫理角力。

他們試圖揭穿的,正是他們賴以生存的; 他們渴望掙脫的,正是他們誓死捍衛的。家是權力結構的金字塔,這裡的每一句話都是一場無煙硝戰。有時候不誠實,是因為在意。 至於在意甚麼,鬼知道……當溫良恭儉讓成為無法掙脫的詛咒,一起見證以愛為名的操控與標簽,架構成鬼影幢幢的牢籠,誰也無法獨善其身。

羅國文 × 簡莉穎:冷峻美學碰撞犀利文本

羅國文導演的創作風格向來貫穿對現實社會的深刻關注,借用寓言或經典叩問當下社會體制與人性困境,他擅長融合影像、燈光、音效與演員肢體,探索劇場的視覺與時空美學。過往作品曾榮獲金馬崙藝術大獎——最佳導演、最佳燈光設計等獎項,創作兼具詩意與批判性。其中《蜂》以及《動物農莊》,獲得金馬崙藝術大獎多項提名,後者則斬獲最佳女配角一獎。同時由多位大馬資深劇場工作者參與製作的團隊,如:著名造型設計師呂素君、獨立音樂人李河健、影像設計師Fairuz Sulaiman、舞台設計師曾維凌以及燈光設計師林偉星等人聯合打造。

當經典《群鬼》走進當代亞洲家庭,當「愛」與「謊言」再也無法分割,你又是否能看見自己身處其中的那一道鬼影?《遙遠的東方有一群鬼》將演出共計6場,並在每一場演出結束後進行演後座談,除了導演與演員,台灣編劇簡莉穎更專程飛到吉隆坡參與其盛。誠邀您到劇場,一起揭開這場關於家庭、權力、愛與道德的暗黑寓言。欲知更多演出詳情及購票資訊,請搜尋「平台計劃」與「W Productions」社交媒體專頁以及時掌握最新消息。

Following the acclaimed and well-received black comedy The Bee (2024) and satirical allegory Animal Farm (2025), Pentas Project and W Productions reunite for their third major collaboration, with the Taipei Economic and Cultural Office in Malaysia as supporting partner. Produced by William Yap and directed by Loh Kok Man, The Ghosts Within, a work by acclaimed Taiwanese playwright Chien Li-Ying, will be staged from 12 to 15 November 2026 at Pentas 2, The Kuala Lumpur Performing Arts Centre (klpac).

Adapted from Henrik Ibsen’s Ghosts, the production transforms the classic into a dark contemporary fable set within an Asian family. 

A Timeless Classic Reborn: From a 19th-Century European Family to the Human Condition of Contemporary Asia.

Loh Kok Man’s distinctive theatrical language collides head-on with Chien Li-Ying’s sharp and unflinching writing. Together, they peel back layer after layer of the darkness left unspoken by the previous generation, revealing an Asian family built on illusion, secrets and lies.

A mother trapped by lies yet longing to hear them. An adopted son who manipulates lies, only to be deceived by them himself. A biological son who has seen through every lie, yet longs for one. And a daughter-in-law who questions lies, yet ultimately conforms to them.

Together, they summon the distorted and lingering authority of inherited morality, confronting the audience with questions surrounding the moral restraints and hypocrisy embedded within traditional Asian values.

Chien Li-Ying takes Henrik Ibsen’s classic Ghosts, a portrait of a family imprisoned by the moral restraints and hypocrisy of 19th-century European society, as her point of departure. Through a cross-cultural and cross-temporal approach, she transforms the classic into a portrait of the contemporary Asian family.

Known for her sharp social observations and nuanced portrayals of human nature, Chien Li-Ying, one of the writers of the Netflix Taiwanese original series Wave Makers, has long explored family structures, gender, power relations and contemporary social issues. Her practice frequently employs the methods of rewriting classics and textual translation, transforming Western classics into contemporary narratives rooted in Chinese cultural contexts.

Across Borders, On One Stage : Four Acclaimed Performers, Two Generations in Conflict

Bringing together accomplished performers from Taiwan and Malaysia, the production features Taiwanese screen and theatre actor Nelson Shen and Golden Bell Awards nominee Clara Lee, alongside award-winning Malaysian theatre director and actor Yeo Lyle, and Two-Time Best Actress Siew Thung.

Together, they portray two generations locked in a battle of family lies, emotional entrapment and the weight of Confucian morality. They seek to expose the very things they depend on for survival; they long to break free from the very things they are prepared to defend to the death.

The family becomes a pyramid of power, where every word is a battle without gunfire.

Sometimes, we choose dishonesty because we care.
What it is we care about… only the ghosts know.


When traditional values and social expectations become an inescapable curse, control and labels imposed in the name of love slowly construct a cage from which no one can truly escape.

Loh Kok Man × Chien Li-Ying:
Distinctive Theatrical Language Meets Sharp, Unflinching Writing


Loh Kok Man’s directorial practice is deeply rooted in an engagement with contemporary society. Drawing on allegory and classic works, he uses theatre to question existing social structures and the human condition. His work is distinguished by an integration of multimedia, lighting, sound and the physicality of performers, exploring the visual and spatial possibilities of theatre. His previous works have received recognition at the BOH Cameronian Arts Awards, including awards for Best Director and Best Lighting Design, reflecting a practice that balances poetic expression with critical inquiry.

Both The Bee and Animal Farm received multiple BOH Cameronian Arts Awards nominations, with the latter winning Best Supporting Actress.

The production is further brought to life by an accomplished team of Malaysian theatre practitioners, including renowned costume designer Beatrice Looi, independent musician Kent Lee, multimedia designer Fairuz Sulaiman, set designer Wei Lin, and lighting designer Sing Lim.
When the Ghosts of Ghosts Enter the Contemporary Asian Family

When Henrik Ibsen’s Ghosts enters the contemporary Asian family, and when love and lies become impossible to separate, can you recognise the ghost within yourself?

The Ghosts Within will run for six performances from 12 to 15 November 2026 at Pentas 2, The Kuala Lumpur Performing Arts Centre (klpac). Each performance will be followed by a post-show discussion, with director Loh Kok Man and the cast taking part. Taiwanese playwright Chien Li-Ying will also make a special trip to Kuala Lumpur to participate.

Audiences are invited to step into this dark fable of family, power, love and morality, and uncover the ghosts that linger beneath the surface. For more information and ticketing details, search for Pentas Project and W Productions on social media, and stay tuned for the latest updates.

製作助理:黃永益 Assistant Producer : John Wong
舞台監督:李嘉雯 Stage Manager : Karman Lee
平面設計:搞搞社、朱璟欣、葉俊江、賴芊潓
Graphic : Gao Gao Group, Choo Jing Xin, Kelvin Yap, Lai Qian Hui
宣傳:葉偉良、楊杏瑶 Publicity : William Yap, Mia Yong
中文文案:李紅蓮 Chinese Copywriter : Lee Hoong Lian

July 9, 2026

TODAK◉GUNDIK (3~6 September 2026)




Sebuah pertunjukan/Presented by PENTAS PROJECT THEATRE PRODUCTION

TODAK◉GUNDIK SWORDFISH◉CONCUBINE


“Raja apa engkau ni?”
Mitologi Melayu Bertemu Keanggunan Teater
Dipersembahkan dalam Bahasa Malaysia dengan sarikata Bahasa Inggeris dan Mandarin


3 ~ 6 SEPTEMBER 2026

The Kuala Lumpur Performing Arts Centre, Pentas 2 (klpac)


Penulis/Written by : Kee Thuan Chye
Penterjemah/Translated by : Syahrul Musa
Penerbit/Produced by : Leysha Al-Yahya, Qayleef Jesmet
Pengarah/Directed by : Loh Kok Man


Pelakon/Casts: Dani Daud, Danny Emirrul, Ewan Fauzi, Leaism, Lim Sheng Hui, Mia Sabrina Mahadir, Muhammad Ibrahim




Live Music : Orang Orang Drum Theatre
Animation : Fairuz Sulaiman
Costume : Michell Yong Soo Fon
Light & Set : Loh Kok Man
Choreography: Kathyn Tan Chai Chen

Sound Engineer: JJ Tan
Graphic Design: Tsuji Lam
Stage Manager: Armanzaki Amirolzakri

Show Dates & Times :
3 September, 8.30pm
4 September, 8.30pm
5 September, 3:00pm & 8.30pm
6 September, 3:00pm

Ticket :
Early Bird : RM50 (Ends 31 July 2026)
Normal Ticket : RM 70
Patron Of The Arts : RM 128
Concession Ticket : RM50
Bundle Ticket : RM 240 FOR 4

Email: sharifah.aleysha@gmail.com, pentasprojecttheatreproduction@gmail.com

Online Purchase: Cloudjoi 


TODAK◉GUNDIK, merupakan sebuah karya teater kontemporari memukau yang diadaptasi daripada mitos legenda dalam Sejarah Melayu. Ia telah diolah semula oleh Kee Thuan Chye. Dengan menggabungkan unsur sejarah dan mitos—termasuk legenda serangan ikan todak, kecemburuan, obsesi dan peperangan—pementasan ini mengangkat sebuah kisah epik tentang kuasa, keinginan dan takdir.

Produksi ini menampilkan jenis-jenis teater yang kaya dengan gabungan seni boneka, topeng, animasi, live muzik dan mengambil inspirasi daripada pelbagai elemen budaya tradisional Asia, termasuk lagu rakyat ikonik Ulek Mayang. Kesemua elemen ini bergabung untuk mencipta pengalaman teater yang imaginatif, memukau dari segi visual dan menyentuh emosi, sekali gus menghidupkan semula legenda abadi ini untuk penonton masa kini.
______________________________________________________

“What kind of King are you?”

Malay Mythology Meets The Spectacle of Theater
Performed in Malay with English and Chinese surtitles


TODAK◉GUNDIK, adapted from the legendary myths of the Malay Annals (Sejarah Melayu), is reimagined by Kee Thuan Chye into a compelling contemporary theatrical work. Blending historical and mythical elements—including the legendary swordfish attack, jealousy, obsession, and war—the play unfolds as an epic tale of power, desire, and destNny.

The production employs a rich theatrical vocabulary, combining puppetry, masks, animation, and live music, while drawing inspiration from diverse Asian traditional cultural elements, including the iconic folk song Ulek Mayang. Together, these elements create an imaginative, visually striking, and emotionally powerful theatrical experience that brings this timeless legend vividly to life for contemporary audiences.

______________________________________________________

「你,究竟是怎樣的一位君王?」

馬來神話 × 劇場史詩鉅獻
馬來語演出,附英文及中文字幕。

《TODAK◉GUNDIK》 改編自《馬來紀年》(Sejarah Melayu)中的傳奇神話,由 Kee Chuan Chye 重新詮釋為一部引人入勝的當代劇場作品。作品融合歷史與神話元素,包括著名的「劍魚襲擊新加坡」的傳說、嫉妒、痴戀與戰爭,鋪陳出一段關於權力、慾望與命運的史詩故事。

本劇運用了豐富多元的劇場語彙,結合偶、面具、動畫與現場配樂等元素,並汲取亞洲多種傳統文化元素為靈感,其中包括採用了馬來經典民謠〈Ulek Mayang〉。這些元素共同營造出充滿想像力、視覺震撼且情感深刻的劇場體驗,讓這則跨越時代的傳奇在當代觀眾面前鮮活重現。

_____________________________________________________


Dani Daud Nik Muhammad Dani Afique Bin Mohamed Daud or better known as Dani Afique. Graduate of Diploma in Theatre from the National Academy of Cultural Arts and Heritage (ASWARA) who is currently completing a Bachelor's Degree (Honours) in Theatre (Acting). Has a strong background in acting techniques, ensemble work, and traditional Randai art. Throughout his academic and practical involvement, he has been entrusted with the success of various important scripts including the main character in Malam Jahanam (2026), ShortEyes (2025), and the classic script of Oedipus (2025). His diversity of talent has also been proven through his two achievements as the Champion of the Randai Competition (2022 & 2025) as well as involvement in large-scale productions such as Anak Randai Macbeth and as a dancer for the 39th Anugerah Juara Lagu stage. He is a disciplined, flexible artist, and is always committed to exploring new dimensions of performing arts expression.


Danny Emirrul is a theater graduate who's still actively involved in acting, music and sports. In the past, he has made a few acting appearances in Malaysia's phenomenal theatre called 'Ola Bola The Musical' along with multiple short films and travelogues, and most proudly, he was cast in Malaysia's first Apple ad. Danny has always loved acting because it allows him to express himself better and him to explore new versions of himself with every chapter he embark on.

Ewan Fauzi is a Malaysian stage and television actor and professional host whose performing arts journey began in childhood. A 2019 Degree Theatre graduate of ASWARA he has developed a strong foundation in discipline, creativity, and stagecraft. His career includes performances in Sri Lanka and Indonesia, as well as major stage roles at Istana Budaya, Kl Pac , DBP. In 2019, he was crowned Champion of the Kuala Lumpur Theatre Festival as a director. Today, Ewan continues to grow as a screen actor and TV host.

LEAISM is a Malaysian multidisciplinary performer working across theatre, music, and live performance. Passionate about stories that explore the complexities of the human experience, she brings empathy, nuance, and a strong sense of presence to every role. Her multidisciplinary practice continues to shape her approach to performance, where music, movement, and storytelling naturally intersect. Since becoming involved in theatre in 2018, LEAISM has performed in productions including Dato' Seri: The Musical, Wilayahku, Saturn Return, and Kamariah Joned. She has also directed selected theatre works, including Nadirah and Beromen. Drawn to stories that challenge perspectives, evoke emotion, and spark meaningful conversations, she continues to seek out projects that celebrate the transformative power of live performance.

Lim Sheng Hui is a theatre actor, director, and writer. She likes to explore the question of what it means to be human, especially adjacent to her animal and tree friends. Whether acting, directing, or writing, Sheng brings a poetic sensibility to her works. In 2024, she founded the Terrafunk Theatre Collective, which produced an original physical theatre performance, Into the Symbiocene, for the Stockholm Fringe Festival. This year, she hopes to transform into a tree through a site-specific exploration in the jungle. Sheng was last seen playing Beatrice for KL Shakespeare Player’s staging of Much Ado About Nothing. A drama graduate of Vassar College in New York, Sheng teaches Speech & Drama to teens during the weekends at Tas Academy in KLPAC.

Mia Sabrina Mahadir is a multidisciplinary artist. She acts, directs, writes, teaches, makes resin ashtrays and soy candles, reads Tarot and rescues cats. Having started her theatre career from Short+Sweet Malaysia 2012, her notable works include “Madu Dua” (2016), “Doa Untuk Mak” (wins Best Supporting Actress 2018), “Wayang” (wins Festival Director Award 2019), and Mixtape for Maz (2023). Mia graduated from Theatresauce's Emerging Directors Lab 2021/2022 and has since directed Saturn Return (Theatresauce 2023) and Beware: Si Oompa Loompa (Asian Youth Theatre Festival 2024). Todak@Gundik will be her theatre comeback after a 2-year hiatus.

Muhammad Ibrahim kickstarted his passion for theatre in 2004 by involving in Persatuan Bingkas Kebayan, an organization which focuses on theatre for kids. With ample experience in theatre as well as creative ideas inspired from fine arts, Muhammad Ibrahim has took up various roles in plays such as Mat Solo in 'The Amok Of Mat Solo', Suresh in 'AYA: Anjalai Yen Amachi', and Luqman/Temenggung in 'Mati-mati (J'aime Ma Mere)'. Yet, despite having spent a lifetime on stage, he approaches every new role with curiosity, always seeking fresh insights and master new techniques.



November 25, 2025

觀點與實務的練習——表演訓練工作坊 2026/01


表演训练课程【 观点与实务的练习】

Acting Training Class < Practices in Viewpoints and Applications >

著名罗国文导演30年的实战精华专业表演课程。
补助高达
50%,错过不知何时还有!

16堂高强度「观点+实务」演练,从肢体、声音 到思想上的全面觉醒。 

05.01.2026 开课 ,助学金计划即日起开放报名 

无论你是—— 
🎭 渴望突破的职业演员 
✨ 零基础但热爱表演的初学者 
🤝 寻找创意伙伴的戏剧爱好者 

这里,就是你脱胎换骨的起点! 

🎬 *课程亮点* 
✅ 经验丰富导师罗国文30年实战精华。 
✅ 每班仅16人,确保一对一突破性训练 。
✅ 16堂高强度「观点+实务」演练,从肢体、声音到思想上的全面觉醒 。
✅ 完成16堂课程颁发*结业证书*,助力职业进阶 。 
✅ 50%补助计划/早鸟/团报优惠,分期付款可协商 。


16堂课,48小时,平台计划创办人及著名剧场导演罗国文亲自指导,让游戏、喜悦与想像力,与你一起打开创意之门。 


由平台计划主办,<观点与实务的练习——表演训练工作坊>,旨在发掘个人表演潜力,为剧场挖掘并培养剧场优秀演员。无论是影视剧工作者(演员、导演等),又或者对表演有兴趣的人,欢迎一起学习,提升表演水平,创造合作机会。


拥有超过30年教学经验的指导老师罗国文导演,以其丰富剧场实践及跨影视实践,带领学员体会最实际的互动式实战演练——观点学习+实务操作!学习运用我们天生的表演工具——身体和声音,用最有趣且充满挑战的方式去了解表演的奥义。


为鼓励并协助有需要的大马艺术工作者(戏剧、舞蹈、音乐)或在借表演艺术学生,自我提升及增值。本工作坊获得艺术教育补助计划,将为符合资格的学生提供半免助学金! 


工作坊与助学金计划,即日起开放报名,至额满为止!


课程资讯 &报名方式修习课时:

  • 16堂课 x 3小时,共48小时。
  • 上课日期/时间  : 

5678121314151920212226272829 January 2026

@ 7:30pm~10:30pm

  • 地点:Inner Peace Centre (IPC)
2-2, 2nd Floor Jalan Kuchai Maju 10, Off, Jalan Kuchai Lama, Kuchai Entrepreneurs Park, 58200 Kuala Lumpur, Wilayah Persekutuan Kuala Lumpur.
  • 学费:RM 2,300 | 早⿃优惠 RM1,800(截止日期 21/12/2025 
(另有50%学费补助计划,只需 RM1,150,详请见下。)
  • 课程以中文为媒介语,只限16名学员,额满即止。
  • 招⽣对象:演员、导演或任何对表演有兴趣的公众人士
  • 报名连结:申请表格,请按我。
  • 报名洽询:012-6071318

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表演课程简介


表演是一种游戏,一种运用身体和声音在不同的时间和空间与他人的关系进行意见传达的一场游戏。为了演好戏,表演者必须进行训练,去学会有意识的去支配自己的声音和身体。训练要求每个学习表演的人,根据自身不同条件达到学习的目的,透过空间、时间、雕塑、动作、情绪与故事中,从学习思考与判断的初期,以戏剧的生动帮助你认识和了解自己与群体。经由游戏中的喜悦,一同探究表演创意与想像力的真实世界。

游戏、喜悦与想像⼒让你打开创意之⾨ 

导师:马来西亚著名导演/罗国文


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Acting Training Workshop
Practices in Viewpoints and Applications


16 classes, 48 hours, led by Loh Kok Man, the founder of Pentas Project and renowned theatre director. Let game, pleasure, and imagination open the door to creativity for you.

Organised by Pentas Project Theatre Production, “Practices in Viewpoints and Applications – an Acting Training Workshop” will guide you to uncover your individual acting potential, cultivating outstanding theatre performers. Whether you're a film or TV professional (actor, director, etc.) or someone keen on acting, join us to enhance your acting skills while creating collaboration opportunities.

With over 25 years of teaching experience, Master Trainer Loh Kok Man, taps on his immense theatre and cross-media practice to lead 16 participants through highly practical, interactive training - Viewpoints learning + practical applications! Learn to use your inherent tools — body and voice — in the most fun and challenging way to grasp the essence of acting.

Course Synopsis

Acting is a form of game; A game through uses the body and voice to communicate ideas with others, within different times and spaces. To perform well, an actor must train to consciously control their voice and body. This training requires each learner to achieve their goals based on their unique abilities, exploring through space, time, shape, movement, emotion, and story. You will start by learning to think and judge, letting theatre help you dynamically understand yourself and the group. Through the pleasure of game, the learners will explore together the real world of performance creativity and imagination.

Game, pleasure, and imagination - let you open your door to creativity.

Acting Coach : Loh Kok Man

学费补助计划 / 只限8位 (申请截止日期 13/12/2025

  1. 申请截止日期 13/12/2025 @ 晚上8点正。
  2. 只限19岁以上⾺来⻄亚公⺠申请。
  3. 申请者资格须经主办单位审核通过。成功者将获50%的学费补助,以RM1,150的费用参与本次的表演课程。
  4. 受助学员须先行缴付全额学费 RM2,300.00。凡全程出席、未缺席且完成全部 16 堂课者,将于课程结束后一周内获得 50% 的补助退款。
  5. 特别声明:若受助学员在课程期间有任何缺席纪录,未能全程出席全部 16 堂课,将丧失补助资格,并无法获得上述 50% 的补助退款。在此情况下,学员将以早鸟优惠价 RM1,800 参与课程,并可获得 RM500 的退款。
  6. 课程结束后的一周内,受助学员必须在自己个人社交媒体帐⼾上撰写并公开发布⼀篇不少于500字数,关于此次学习的心得或体会贴⽂,并在贴文中标注(tag) 本平台计划之官方社交媒体帐户。
  7. 申请者必须提交一份与表演艺术相关的个人简历和申请表格,逾期或申请资料不全,恕不受理。
  8. 主办单位对补助审批及取消有最终决定的权力,任何书信或异议,恕不受理。


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导师简介:


⊙罗国⽂⊙[平台计划/剧团](2005—迄今)创办人,剧场导演、演员、灯光设计师、舞台设计师、戏剧表演导师,善于综合多种剧场元素,尤其在调度演员肢体、舞台与戏剧架构、影像、灯光、音响的交错互动。

曾获奖项⾺来西亚⾦⾺仑艺术⼤奖【最佳导演】、【最佳灯光设计】、【最佳舞台设计】。

作品:2025 -《动物农庄》(重演2011、首演2008)、2024 -《蜂》、2023 -《同栖时间》、2022 -《梦的故事》、《剑⿂⦿妾》重演(首演2016)、2020 -《多重恋爱人生游戏》、《阿Q外传》、2019 -《理查与她》、2018 -《错误的悲喜剧》、《⼀个名叫红⾖妹的摩登师奶》、2016 -《赤⿁》、2015 -《Arus Gangsa》、2013 -《双重刺点》、《ISLANDOFNBOLEHLO》、2010 -《城失空想》(首演2007)

国际交流经验曾赴⽇本、韩国、印度、德国、菲律宾、上海、泰国、新加坡、台湾、纽约、柬埔寨及澳⾨等地参与演出和交流。2002~2005年受邀参加为期三年“亚洲当代剧场交流计划”(东京世⽥⾕剧场);获美国”亚洲⽂化协会“奖学⾦赴美国游学(2005);获歌德学院奖学⾦赴柏林学习(2013)。