February 22, 2012
October 25, 2011
July 4, 2011
仲夏夜之梦
新纪元学院戏剧与影像系2011年第七届学生对外公演
英国最伟大的戏剧作家威廉。莎士比亚 William Shakespeare经典作品
英国最伟大的戏剧作家威廉。莎士比亚 William Shakespeare经典作品
仲夏夜之梦
A Midsummer Night’s Dream
A Midsummer Night’s Dream
导演 ／罗国文
音乐与音效 ／张俊开
演员 ／苏中宏，黄竣麟，张加信，陈鹏升，谢佳升，李欢瑜，林沓励，
苏梓莹，沈忠胜，易詠媺，陈淑凤，李佳洵，马红绫，林佩璇，
14/07/2011 (thurs) @ 8:00pm
15/07/2011 (friday) @ 8:00pm
16/07/2011 (saturday) @ 3:00pm & 8:00pm
17/07/2011 (sunday) @ 3:00pm & 8:00pm
票价／新纪元学院教职员及学生 @ RM10，学生 @ RM15， 成人 @ RM20
地点／新纪元学院黑箱剧场 Lot 5,Seksyen 10, Jalan Bukit, 43000 Kajang, Selangor.
票务热线／ 马红绫（013-3538964），李佳洵（016-4315691）
游览网站／ www.amiddream.blogspot.com
特别优惠／凡是同时购买“物理学家”及“仲夏夜之梦”的票者将获 RM5 折扣
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“你们真能断定我们现在是醒着吗？
我觉得我们还是在睡着做梦”
《仲 夏夜之梦》讲述了一个笑料百出、喜剧意味极为浓郁的爱情故事。这个故事将现实和幻想、人间和仙境、精灵和世人同时呈现在一个舞台上，演出了 一幕幕浪漫的人间喜剧。这是英国大文豪学家–莎士比亚作品中被搬演多次的经典喜剧著作，反映出他对婚姻和爱情的深刻思考，也是欧洲文艺复兴运动高扬人文主 义的本质反映。资深剧场导演罗国文与新纪元戏剧与影像系的一班学生，尝试以“打破空间”概念去形成不一样的舞台，让你体验舞台上令人惊喜的变化。《仲夏夜 之梦》带你游历莎士比亚心中憧憬美好的人文主义社会，让你体验一场勇于追求自由的浪漫幻梦。如果你曾经是个逐梦之人，或是如今仍旧奋力不懈的追求，那你肯 定不能错过这一次《仲夏夜之梦》的逐梦之旅，让你感受其中的惊心动魄。
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莎士比亚（W. William Shakespeare；1564～1616）
英国文艺复兴时期伟大的剧作家.诗人，欧洲文艺复兴时期人文主义文学的集大成者，公元1564年4月23日生于英格兰沃里克郡斯特拉福镇，代表作有 四大 悲剧《哈姆雷特》（英：Hamlet)，《奥赛罗》（英：Othello)，《李尔王》（英：King Lear），《麦克白》（英：Macbeth）。四大喜剧《第十二夜》《仲夏夜之梦》《威尼斯商人》《无事生非》（人教版教材称《皆大欢喜》）历史剧《亨 利四世》《亨利六世》《理查二世》等。
据他一系列的作品里，可以感受到他对当时人文主义的憧憬、期盼、坚持、矛盾及失望的过程。在莎翁早期创作背景，尚是伊丽莎白女王中央主权时代，整个 社会风 潮都在浓厚的人文主义之下兴起。（所谓人文主义，是指社会价值取向倾向于对人的个性的关怀，注重强调维护人性尊严，提倡宽容，反对暴力，主张自由平等和自 我价值体现的一种哲学思潮与世界观，即“以人为本”。）此环境即埋下莎翁对人文主义的未来憧憬，他深信人文主义思想可以实现。在他当时秉持乐观的笔下，他 创作了历史剧《查理三世》 和喜剧类如《仲夏夜之梦》 《第十二夜》等。浓浓的人文主义意味深深的埋在剧本里头。
中期，当时国事腐败，莎士比亚的作品创作风格也从明快乐观变为阴郁悲愤，其所写的悲剧也不是重在歌颂人文主义理想，而是重在揭露批判社会的种种罪恶和黑 暗。当时的君主詹姆士一世继位后的挥霍无度和倒行逆施，更使人民痛苦加剧，反抗迭起。在这种情况下，莎士比亚深感人文主义理想与现实的矛盾越来越加剧。
晚期，莎士比亚深感失望，乃退居故乡写浪漫主义传奇剧。其创作风格也随之表现为浪漫空幻。作品：《辛白林》和《冬天的故事》
他是“英国戏剧之父”，本·琼斯称他为“时代的灵魂”，马克思称他为“人类最伟大的天才之一”。被称为“人类文学奥林匹斯山上的宙斯”。虽然莎士比亚只用英文写作，但他却是世界著名作家。他的大部分作品都已被译成多种文字，其剧作也在许多国家上演。
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特别推荐：
《物理学家》 The Physicists
故事讲述一个没有说明国籍的，名叫Mobby的核能物理学家，发明了一种万能体系，人类能够据以发明一切。他害怕这一伟大的科学成果被东西方的大国用于军事目的，导致人类的毁灭，他决心放弃个人的一切，抛弃家庭，装疯躲进了一家精神病院……
2011年7月29，30，31日 & 2011年8月5，6，7日
联络号码：叶宝君（016-3690351）
March 25, 2011
2011平台剧场新导演计划 公开征集
2011平台剧场新导演计划
Pentas Emerging Theatre Artists Program 2011
公开征集
截止日期: 2011年3月21日
Pentas Emerging Theatre Artists Program 2011
公开征集
截止日期: 2011年3月21日
Supported by : HSBC
2010年，李奕翰导演的《Blind Love》入选「平台剧场新导演计划」，并在平台空间举行了总共4场的演出。2011年，平台计划再度启动「平台剧场新导演计划」，希望能够看见更多属于年轻人的创意。
宗旨
1. 以发掘更多本地剧场新导演及普及本地表演艺术为目标。
2. 促进本地剧场的永续发展。
3. 为本地剧场和各艺术领域提供一个交流的平台。
4. 促进素质人文社会的养成。
5. 创造优质的艺术生态环境。
公开甄选：
• 公开给21岁或以上对戏剧创作有热诚的人士参加。
• 参加者必须至少导演过两个剧场演出。
• 每人可投最多两个演出计划。
• 每个演出长度必须介于45分钟到90分钟。
• 演出计划案必须以中文书写。演出计划案必须涵盖以下内容：演出名称、 创作理念、演出形式、 演出大纲、预算案、参加「平台剧场新导演计划」的原因、导演与主要创作群履历、曾导演过的演出片段 （附在DVD 里）、剧本（如有）。
• 演出不限内容，不限形式，可由投计划案者自由发挥自己的创意，唯不曾公开演出。
• 呈交计划案截止日期：以电邮方式最迟于2011年3月21日寄至 pentasproject@gmail.com。
• 平台计划将在以上截止日期两周内，公布复选面试名单。
• 平台计划将在4月中旬，通过网络媒体公布获选的计划案，并以电邮和电话方式通知获选者。
• 获选的计划案必须在2011年6月至2012年3月之内完成演出。
• 获选的计划案必须在平台空间演出。
• 每个获选计划案将获得RM1000 至 RM5000演出制作补助。
平台计划将提供以下协助
• 提供所有演出的技术支援。
• 负责所有演出的宣传。
• 提供演出场地。
• 若有需要，协助安排排练场地。
• 将不定期安排本地著名剧场导演以及设计师观看演出排练，给与意见。
• 若有需要，平台计划可帮忙物色演员、设计师。
获选计划案的演出单位必须
• 自行负责/分配演出费以及布景道具制作费等。
• 确保演出的良好素质。
• 配合平台计划所安排的宣传活动。
• 若获选者无法如期在期限以内完成演出，必须将演出制作补助全数退还。
＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
Pentas Emerging Theatre Artists Program 2011
Call for Entries
Pentas Project initiated Pentas Emerging Theatre Artists Program in April 2010. Looking at the development of Chinese theatre in Malaysia, there is rarely emergence of new director besides drama competitions in secondary school. Although in these 2 years, graduates from theatre department had gradually returned to Malaysia, but they do not have the opportunity to show what they’d learn. The development of a city and country relies also on the building of arts and culture. Member of Pentas Project are mostly above 30s, but Pentas Project would be delighted to see new talents and the wild imaginations and creativity of younger generation. Hence, Pentas Project initiated the Pentas Emerging Artists Program and encouraged younger generations to submit their performance proposal to Pentas Project. Pentas Project hopes to hold on our belief, that is to provide an open platform for artists. For successful applicants, Pentas Project not only will provide the director a grant to work on the performance, but will also provide technical consultation and support as well as handling all the administrative and publicity works of the project. The 2010 Pentas Emerging Theatre Artists Program selected Lee Yee Han’s Blind Love, and had successfully run 4 shows in Pentas Studio. This year, Pentas Project kicked off the Pentas Emerging Theatre Artists Program for the second time, hopefully to attract more young talents to show their creativity.
Pentas Emerging Theatre Artists Program 2011
Call for Entries
Pentas Project initiated Pentas Emerging Theatre Artists Program in April 2010. Looking at the development of Chinese theatre in Malaysia, there is rarely emergence of new director besides drama competitions in secondary school. Although in these 2 years, graduates from theatre department had gradually returned to Malaysia, but they do not have the opportunity to show what they’d learn. The development of a city and country relies also on the building of arts and culture. Member of Pentas Project are mostly above 30s, but Pentas Project would be delighted to see new talents and the wild imaginations and creativity of younger generation. Hence, Pentas Project initiated the Pentas Emerging Artists Program and encouraged younger generations to submit their performance proposal to Pentas Project. Pentas Project hopes to hold on our belief, that is to provide an open platform for artists. For successful applicants, Pentas Project not only will provide the director a grant to work on the performance, but will also provide technical consultation and support as well as handling all the administrative and publicity works of the project. The 2010 Pentas Emerging Theatre Artists Program selected Lee Yee Han’s Blind Love, and had successfully run 4 shows in Pentas Studio. This year, Pentas Project kicked off the Pentas Emerging Theatre Artists Program for the second time, hopefully to attract more young talents to show their creativity.Project Aim:
1. To nurture more theatre new director.
2. To help maintain the long term development of local theatre.
3. To provide a platform of interactions for local theatre and other art forms.
4. To nurture the development of a humanity society.
5. To create a good environment for the development of arts.
Open Calls：
• Open for people above 21 year old who have a passion in theatre arts.
• Participants must at least directed 2 theatre performances.
• Each participant can only propose maximum 2 performance proposal.
• Each performance will have to be within 45 to 90 minutes.
• The proposal must be written in Chinese and include the following: title, form, artist statement, synopsis, budget, the reason why you would like to participate in the Pentas New Director Project, Profile of director and main creative team, clips from past performances and script (if have).
• There are no restrictions on content and form of the performance. Participants shall unleash their creativity. The proposed performance shall not be performed in public before.
• Deadline for proposal is 21st March 2011, please e-mail proposal to pentasproject@gmail.com
• Pentas Project will announce the finalist for interview two week after the above deadline.
• Selected proposals will be announce in mid April through internet. Pentas Project will contact the selected participants via e-mail and telephone.
• The selected proposal must be stage within May 2011 to March 2012.
• The selected proposal must be stage in Pentas Studio.
• Each selected proposal will be grant RM1000 to RM5000.
Pentas Project will provide the following assistance：
• Provide all technical support.
• Provide the publicity for the performance.
• Provide a space for performance.
• Help coordinate rehearsal space, if necessary.
• Will make arrangement for local theatre director and designers to observe the rehearsals and provide suggestions.
• Pentas Project will help searching for actors and designers if necessary.
The team from the selected proposal must:
• Make appropriate arrangement for the relative budget of the performance.
• Make sure the performance has good quality.
• To corporate with any publicity needed.
• If participants couldn’t realize the performance within the stated period, the participant must return the entire grant provided by Pentas Project.
February 11, 2011
A Modern Woman Called Ang Tau Mui
TWO ANG TAU MUIs??
Yes!! A rare opportunity to see two versions of the same play! Catch the Pentas Project version directed by Loh Kok Man and the Five Arts Centre version directed by Chee Sek Thim
兩部不一樣的紅豆妹？？
是的！一個難得的機會，同一個藝術節觀賞兩齣不一樣的演出版本！別錯過平台計劃羅國文執導的版本和 Five Arts Centre, Chee Sek Thim 所執導的版本。
一個名叫紅豆妹的摩登師奶
A Modern Woman Called Ang Tau Mui
Adapted from Ang Tau Mui by Leow Puay Tin
17th, 18th, 19th March 2011 @ 8:30pm
20th March 2011 @ 3:00pm & 8:30pm
20th March 2011 @ 3:00pm & 8:30pm
at Annexe Gallery 3, Central Market
Directed by : Loh Kok Man 羅國文
Cast : Pearlly Chua 蔡寶珠
Video Artist : Au Sow Yee 區琇詒
Music & Sound : Terence Chong 張俊開
入場免費
free admission
索票處 Get your ticket at： www.kakiseni.com
contacts : 012-266.1579 / 012-607.1318 / pentasproject@gmail.com
曾以《黑眼圈》入圍金馬獎的資深演員蔡寶珠，是個人特色搶眼的劇場老將， 當劇場資深老將碰上青壯派劇場導演羅國文，以及廖培珍的經典劇作《紅豆 妹》，新穎的黃金組合，打造2011年最值得期待的劇場深度佳作。Cast : Pearlly Chua 蔡寶珠
Video Artist : Au Sow Yee 區琇詒
Music & Sound : Terence Chong 張俊開
入場免費
free admission
索票處 Get your ticket at： www.kakiseni.com
contacts : 012-266.1579 / 012-607.1318 / pentasproject@gmail.com
蔡寶珠在劇場的經典角色，最為大家熟悉的就是《翡翠嶺上的愛美麗》，演了 近二十年的愛美麗，2011年，蔡寶珠終於要挑戰新的單人劇、新的經典女性角 色－－《一個名叫紅豆妹的摩登師奶》。
劇中的紅豆妹是個林黛迷，嚮往成為演員，不斷給林黛寫信。林黛自殺後，紅 豆妹依然故我，信件從不間斷。及後紅豆妹學了戲曲，偶爾投入戲中，以為可 以跟林黛對戲。一切只因紅豆妹太渴望逃脫，她走在都市裡，戲一上身，她把 現實幻化成霓虹光彩的夢幻舞臺。紅豆妹是一個多面而立體的角色，也挑戰演 員的多語能力，蔡寶珠用歲月斂放自如的好演技，把紅豆妹對表演的嚮往和渴 望逃離的情感糾葛，詮釋得精準而豐厚。
《一個名叫紅豆妹的摩登師奶》改編自廖培珍的經典劇作《紅豆妹》，2007年 5月，向來勇於挑戰劇場新觀念的平台計劃導演羅國文，以《Water Closet》為 名，首次改編此作品，頗受好評。2011年，配合KakiSeni 《婦女100》藝術節 活動，平台計劃再度搬演《紅豆妹》劇本，並融入更多的時代觀察和對話。
曾獲本土表演藝術最受矚目獎項──金馬崙藝術大獎最佳導演的羅國文，在劇中 創造了一個虛實交錯的夢幻空間，結合本土影像藝術家區琇詒的前衛多媒體影 像，以及新進音樂工作者張俊開的音樂，重現、解構亞洲一代影后林黛的電影 與時代曲，帶觀眾進入現代與經典夢幻異想空間。
Imagine a space where illusion and reality intertwined.
She starts the most imaginary journey in a most common space.
She walks on the border of dream and reality,
She is lonely.
She hears some tunes occasionally,
Bringing her back to the most wonderful days of her life.
She starts the most imaginary journey in a most common space.
She walks on the border of dream and reality,
She is lonely.
She hears some tunes occasionally,
Bringing her back to the most wonderful days of her life.
Ang Tau Mui is a fan of Lin Dai. She dreams of becoming an actress and writes to her frequently. After Lin Dai committed suicide, Ang Tau Mui continues to write letters. She learns to act and occasionally indulged herself in the movie, imagining herself acting together with Lin Dai. She is eager to run away from reality, imagining herself becoming another person through acting, and thinks the stinking reality will soon transfer into a dream stage.
The director gets his inspiration from the letters Ang Tau Mui wrote to Lin Dai. Hence he invited video artist Au Sow Yee to create the tour de force of Ang Tau Mui’s most humble dream of the world of Lin Dai on the movie screen.
Kakiseni with support of Ministry of Woman, family and Community Development presents
A production of
PENTAS PROJECT THEATRE PRTODUCTION
Pentas Project is supported by HSBC
A production of
PENTAS PROJECT THEATRE PRTODUCTION
Pentas Project is supported by HSBC
The Next Door
Pentas Project Theatre Production 平台計劃
WOMAN:100
International Woman Day's 2011
Malaysia and Thailand are neighbors but the middle-class people in big cities of both countries know each other so little especially the contemporary theatre arts which relates to people’s lives Makhampom has been doing theatre for people’s culture development since1980 with strong believe that theatre arts could make more understanding among people. In 2010, Asian Cultural Council enabled Makhampom to invite Loh Kok Man ( Pentas Project Theatre Production ) and 2 Malaysian actors to produce a theatre production with Pradit and 2 Thai actors from Makhampom in the title of “The Next Door” : Malaysia and Thai Theatre Artists Collaboration Project, trying to learn more about the contemporary theatre arts of each other and to strengthen people’s theatre arts in South-east Asia
The Next Door《隔離鄰社》
Malaysia + Thai Theatre Artists Collaboration Project /
workshop presentation
馬來西亞＋泰國劇場合作交流計劃／成果演出
In Thai, Mandarin, Cantonese, English with English surtitles
Malaysia + Thai Theatre Artists Collaboration Project /
workshop presentation
馬來西亞＋泰國劇場合作交流計劃／成果演出
In Thai, Mandarin, Cantonese, English with English surtitles
Thailand
Pradit Prasartthong (TUA)
Duangjai Hirunsri (Phiao)
Sarayut Phetsamrit (Eddy)
Malaysia
Loh Kok Man 羅國文
Amelia Tan 愛美麗亞
Gan Hui Yee 顏果
*** Free Admission 入場免費***
Click the date below to book your ticket
請按以下演出日期索票
9 March 2011
8:30pm at MAP Whitebox @ Publika, Solaris Dutamas
Level G2-01, Block A5, Dutamas
1 Jalan Dutamas 1, Off Jalan Duta
50480 Kuala Lumpur, Malaysia
10 March 2011
2:00pm at Sunway University Rooftop Theatre, map
Click the date below to book your ticket
請按以下演出日期索票
9 March 2011
8:30pm at MAP Whitebox @ Publika, Solaris Dutamas
Level G2-01, Block A5, Dutamas
1 Jalan Dutamas 1, Off Jalan Duta
50480 Kuala Lumpur, Malaysia
10 March 2011
2:00pm at Sunway University Rooftop Theatre, map
International Woman Day's 2011
Malaysia and Thailand are neighbors but the middle-class people in big cities of both countries know each other so little especially the contemporary theatre arts which relates to people’s lives Makhampom has been doing theatre for people’s culture development since1980 with strong believe that theatre arts could make more understanding among people. In 2010, Asian Cultural Council enabled Makhampom to invite Loh Kok Man ( Pentas Project Theatre Production ) and 2 Malaysian actors to produce a theatre production with Pradit and 2 Thai actors from Makhampom in the title of “The Next Door” : Malaysia and Thai Theatre Artists Collaboration Project, trying to learn more about the contemporary theatre arts of each other and to strengthen people’s theatre arts in South-east Asia
《 隔離鄰社 》，一個兩國劇場工作者的劇場合作交流計劃。六位自馬來西亞和泰國的劇場工作者，他們是鄰居；他們都住在城市裡；但他們都相互不太了解，尤其是對當地當代劇場藝術工作的發展就更不用說了。“油甘子劇團”（Makhampom Theatre Group ) 1980年成立於泰國， 通過劇場運動一直在為民族文化發展推廣有著豐富的經驗，他們一直認為劇場藝術可以使人與人之間更了解。2010年，《隔離鄰社》 劇場合作交流計劃， 獲得了紐約亞洲文化協會的支持， “油甘子劇團”的 Pradit Prasartthong (Tua) 邀請了馬來西亞平台計劃藝術總監羅國文， 帶領兩位馬來西亞資深劇場演員和來自泰國的兩位演员進行劇場與文化的交流 ，試圖去了解和加強東南 亞當代劇場藝術的認識與探索，最後於泰國清稻 (ChiangDao)和清邁進行了兩場的成果交流演 出，並獲得熱烈回響。2011年，平台計劃把這計劃帶回了馬來西亞，與當地的觀眾分享此計劃的成果。
contacts : +6.012-266.1579 / +6.012-607.1318 / pentasproject@gmail.com
Kakiseni with support of Ministry of Woman, family and Community Development presents
Pentas Project is supported by HSBC
contacts : +6.012-266.1579 / +6.012-607.1318 / pentasproject@gmail.com
Kakiseni with support of Ministry of Woman, family and Community Development presents
Pentas Project is supported by HSBC
February 2, 2011
Workshops
Theatre Workshop
by Mr.Pradit (Tua) Prasartthong
from Makhampom Thailand
WOMAN:100
International Woman Day's 2011
RM 50 per workshop
RM 80 for 2 workshops
by Mr.Pradit (Tua) Prasartthong
from Makhampom Thailand
WOMAN:100
International Woman Day's 2011
RM 50 per workshop
RM 80 for 2 workshops
01) “Let the body talk”
a movement & text workshop.
讓身體說話－肢體與文字工作坊
rang
An introduction to Makhampom’s intercultural physical performance style through a group devised process. Through a series of Makhampom’s physical theatre games and warm-up, participants will develop a collection of body shapes that, through group process, will be the basis of creating short performance.a movement & text workshop.
讓身體說話－肢體與文字工作坊
rang
透过团体的活动，向参与者介绍 Makhampom 的跨文化肢体表演风格。指导老师将以一系列的 Makhampom 肢体剧场游戏以及热身活动，引导参与者发展出一套身体语言，并将它发展成一个 简短的演出。
This workshop is good for dancer, mover, actor and non-actor
6 March 2011 @ 3pm~6pm ( 3 hours )
at Pentas Studio
( 88-2. Amber Business Plaza 2, Jalan Jelawat 1, 56000 Cheras, Kuala Lumpur ) map
Public transportation to our studio:
Light Rail Transit (LRT) - Cheras LRT Station
Bus rapid KL - U44
Number of participant: 15-20 persons
Fees : RM 50
02) “Theatre for youth
development workshop”
青年發展戲劇工作坊
development workshop”
青年發展戲劇工作坊
Thailand Makhampom theatre’s mythology for actor and non-actor
The Makhampom Theatre Group began working in 1980, applying theatre process for community cultural development. In conducting a dual program of production-oriented performance work and process-oriented community development work, Makhampom has developed an extensive toolkit of activities that it now applies in various contexts. Makhampom currently had four streams – Performance, Community, Education and International programs – through which the theatre praxis is applied.
This workshop will introduce several of the performance, educational and community-based approaches of Makhampom through an integrated, participatory workshop. This will include activities designed for young people in addressing localized themes and issues through theatre based exercises, followed by series of group-based theatre-devising processes. The exercises will include theatre games, social mapping, physical storytelling, and experiential body-based devising work. At the completion of the workshop the participants will also prepare a showcase of performance material deriving from the workshop.
This workshop is good for theatre workers and educators applying theatre in the dual function of product and process. The facilitator will take you through a series of workshop exercises as an experience in Makhampom’s theatre approach.
Makhampom 团自1980年起，积极把剧场艺术带入社区文化的建设。多年来，剧团朝制作演出和 投入社会文化活动作双线发展，也因此发展出一组活动的工具箱，应用在不同的内容上面。 Makhampom剧团目前的活动以剧场为主轴，分成4个主要面向，演出、社区、教育以及国际交流。
此工作坊将透过密集的参与性活动，向参与者介绍 Makhampom 其中一些有关演出、教育以及 社区的理念。这包括为青少年依据本土性的主题和问题而设计，以戏剧为主体的活动，如剧场游戏、用身体来说故事、寻找社会议题以及感知身体等，此工作坊将以参与者从上课内容发展出来的演出作结束。
6 March 2011 @ 11am~2pm (3 hours)
at Pentas Studio
( 88-2. Amber Business Plaza 2, Jalan Jelawat 1, 56000 Cheras, Kuala Lumpur ) map
Public transportation to our studio:
Light Rail Transit (LRT) - Cheras LRT Station
Bus rapid KL - U44
Number of participant: 15-20 persons
Fees : RM 50
How to apply and paying application fees :
1. If you are interested, please e-mail or give us a call, we will then e-mail an application form to you.
2. Please complete the application form and e-mail it back to us. The workshop fees must be paid before 28th FEBRUARY 2011. If payment is not received in time, the organizer has the right to cancel your application.
3. Payment :-
a) Pay cash directly to the person in charge of the workshop,
b) Bank directly into our account or write us a cheque. | Account Name : Pentas Project Theatre Production ( Public Bank ) Account Number : 3141760724
4) After banking in, please notify us via phone or e-mail details of your name and deposit numbers.
5) Please keep the deposit slip for further confirmation. Contacts : 012-266.1579 / 012-607.1318 / pentasproject@gmail.com
報名及繳費方式：
１． 有興趣可用電話或電郵和我們聯絡，之後我們將會把報名表格寄到你的電郵信箱。
２．報名後需在2月28日前繳交研習費。如沒在指定的限期內繳交研習費，主辦單位將有權力把名額轉讓給其他有興趣者。
３． 繳費方式：﹣ (a)可親自把費用交給工作坊負責人, (b) ATM轉帳付費或支票匯款。
銀行戶口名字：Pentas Project Theatre Production
銀行： Public Bank
帳號：３１４１７６０７２４
４．匯款後請用電話或電郵的方式和我們聯絡，以確認您的姓名及匯款帳號。聯絡： 012-266.1579 / 012-607.1318 / pentasproject@gmail.com
５．請務必保留提款機列 印的收執聯或任何匯款回條，以做為相關證明。
Mr.Pradit (Tua) Prasartthong is Makhampom’s secretary general and most senior member, joining Makhampom in 1982. For over a decade he has been director and visionary of the group. He is renowned for his work in the fusion of traditional and contemporary theatre styles and was recently awarded by the Ministry of Culture as Thailand’s leading national contemporary performing artist. He is trained in classical and contemporary performance and applies these skills together with his TCCD experience, as facilitator, director, dancer, actor, and dramaturge. He has recently returned from a fellowship in USA and is involved in several international collaborations.
Kakiseni with support of Ministry of Woman, family and Community Development presents
Organised by Pentas Project Theatre Production
Pentas Project is supported by HSBC
February 1, 2011
December 30, 2010
December 1, 2010
The “Next Door”
The “Next Door”
A Malaysian and Thai Theatre Artists Collaboration Project
19 ธันวาคม 2553 เวลา 19.00น. เทพศิริ แกลเลอรี่ 100/4 หมู่ 10
ซอยวัดอุโมงค์ ต.สุเทพ อ.เมือง เชียงใหม่ 50200
Show case on 19 December 2010
at 19.00 pm
located in Thepsiri ‘s Gallery and studio 100/4 Moo 10
Soi Wat Umong Suthep Muang ,Chiang Mai 50200
สำรองที่นั่ง ตุ๊กตา 086 515 0595 Contact Tukta: 086 515 0595
ซอยวัดอุโมงค์ ต.สุเทพ อ.เมือง เชียงใหม่ 50200
Show case on 19 December 2010
at 19.00 pm
located in Thepsiri ‘s Gallery and studio 100/4 Moo 10
Soi Wat Umong Suthep Muang ,Chiang Mai 50200
สำรองที่นั่ง ตุ๊กตา 086 515 0595 Contact Tukta: 086 515 0595
Loh Kok Man / Malaysia
Duangjai Hirunsri / Thailand
Gan Hui Yee / Malaysia
Sarayut Phetsamrit / Thailand
Tan Seok Chin / Malaysia
13~19 September 2010 @ WORKSHOP I
9~20 December 2010 @ WORKSHOP II
Malaysia and Thailand are neighbours but the middle-class people in big cities of both countries know each other so little especially the contemporary theatre arts which relates to people’s lives Makhampom has been doing theatre for people’s culture development since1980 with strong believe that theatre arts could make more understanding among people. Since 2003, Makhampom have interacted with Malaysian theatre artists through several exchange programs; for example:
-2003-2005 Mr. Loh Kok Man from the PENTAS PROJECT (ACC grantee in 2005) one of three Malaysian directors have worked with Mr.Pradit Prasartthong from Makhampom Theatre Group (ACC grantee in 2004) with other 12 theatre directors from Asian countries and America in the “Lohan’s Journey”, an Asian Theatre Collaboration Project, organized by the Setagaya public theatre Foundation, Japan.
-2005 Mr. Loh Kok Man was invited by Makhampom to give a workshop for Thai young artists and showcased in the Bangkok Theatre Festival
-2006 Makhampom’s young generations visited The Five Arts (an arts organization who work for social change in Malaysia) in Penang for one week.
-2007 Makhampom hold the “Arts for Community Skills Exchange Workshop” and invited artists from Five Arts, Arts Ed and Lost Gen, Malaysia to exchange with Makhampom in Chiangmai
-2008 Pradit did a mini research on Malaysian’s Contemporary Theatre and Theatre Artists together with Loh Kok Man in April.
In 2010, Makhampom will invite Loh Kok Man and 2 Malaysian actors to produce a theatre production with Pradit and 2 Thai actors from Makhampom in the title of “The Next Door”, a Malaysian and Thai Theatre Artists Collaboration Project with the objectives of:-
1.To develop connection between ACC grantee in the regional
2.To develop people’s relationship between Malaysia and Thailand
3.To learn more about the contemporary theatre arts of each other
4.To strengthen people’s theatre arts in South-east Asia.
Supported by :
Asian Cultural Council, New York
Makhampom Foundation, Thailand
HSBC, Kuala Lumpur
-2003-2005 Mr. Loh Kok Man from the PENTAS PROJECT (ACC grantee in 2005) one of three Malaysian directors have worked with Mr.Pradit Prasartthong from Makhampom Theatre Group (ACC grantee in 2004) with other 12 theatre directors from Asian countries and America in the “Lohan’s Journey”, an Asian Theatre Collaboration Project, organized by the Setagaya public theatre Foundation, Japan.
-2005 Mr. Loh Kok Man was invited by Makhampom to give a workshop for Thai young artists and showcased in the Bangkok Theatre Festival
-2006 Makhampom’s young generations visited The Five Arts (an arts organization who work for social change in Malaysia) in Penang for one week.
-2007 Makhampom hold the “Arts for Community Skills Exchange Workshop” and invited artists from Five Arts, Arts Ed and Lost Gen, Malaysia to exchange with Makhampom in Chiangmai
-2008 Pradit did a mini research on Malaysian’s Contemporary Theatre and Theatre Artists together with Loh Kok Man in April.
In 2010, Makhampom will invite Loh Kok Man and 2 Malaysian actors to produce a theatre production with Pradit and 2 Thai actors from Makhampom in the title of “The Next Door”, a Malaysian and Thai Theatre Artists Collaboration Project with the objectives of:-
1.To develop connection between ACC grantee in the regional
2.To develop people’s relationship between Malaysia and Thailand
3.To learn more about the contemporary theatre arts of each other
4.To strengthen people’s theatre arts in South-east Asia.
Supported by :
Asian Cultural Council, New York
Makhampom Foundation, Thailand
HSBC, Kuala Lumpur
November 7, 2010
Demonstration Activity By Pentas Project Theatre Production
Shanghai International Contemporary Theatre Festival 2010
2010 上海亞洲當代戲劇季
2010 上海亞洲當代戲劇季
馬來西亞平台計劃劇團創作成果示範演出
Demonstration Activity By
Pentas Project Theatre Production
Demonstration Activity By
Pentas Project Theatre Production
13 November 2010 @ 19:30
上海戲劇沙龍 Drama Salon, Shanghai
上海戲劇沙龍 Drama Salon, Shanghai
artists:
羅國文、巫紹棋、曾宏輝、顏慧怡（阿果）、陳麗玲、林冬輝、陳柯杏、李弈翰、王泰偉、張俊開
在這一特別策劃的交流活動中，來自馬來西亞平台計劃劇團的藝術家們將會向觀眾們展示近年來他們的創作作品中最富代表性的《遊戲時間》、《［思想＋自分］報告（熱帶語林）》、《城失空想》等四部作品。交流的內容和形式包括了戲劇影像的放映，片斷現場示範表演，演後談以及對於創作理念和過程經驗的分析和探討。
It is a special communication activity. The artists from PENTAS PROJECT THEATRE PRODUCTION will share their most representative works, such as , will participants. The activity will include video sharing, demonstration performance, post show talk and creation discussion etc.
artists:
Loh Kok Man, Moo Siew Keh, Chen Huen Phuei, Gan Hui Yee, Chin Lee Ling, Kathyn Tan, Lim Tiong Wooi, Lee Yee Han, David Wong, Terence Chong
＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊
《遊戲時間》：他們在一同生存在這個空間已經很久很久，生活的無聊讓他們覺得無趣而乏味，他們不斷地想出各種遊戲來讓自己的生活變得更快樂。他們到底是在數字的謎陣裡玩著時間的遊戲？還是在時間的迷宮里玩著數字的遊戲。。。
榮獲第四屆金馬崙藝術大獎 最佳造型設計
《遊戲時間》：他們在一同生存在這個空間已經很久很久，生活的無聊讓他們覺得無趣而乏味，他們不斷地想出各種遊戲來讓自己的生活變得更快樂。他們到底是在數字的謎陣裡玩著時間的遊戲？還是在時間的迷宮里玩著數字的遊戲。。。入圍第四屆金馬侖藝術大獎 最佳戲劇、 最佳導演 、最佳配樂與音效設計
《［思想＋自分］報告（熱帶語林）》：2006年“［思想＋自分］報告”以“语言”为主题參與「击破：平台剧场合作交流计划」於吉隆坡國家語文局首演。於2008年受邀到東京及新加坡巡回演出，同年9月並再次於吉隆坡表演藝術中心從演。“［思想＋自分］報告” 演出不仅挑战观众对于“语言”的既定想法，也挑战了我们对于语言课题以外的思考，演出並以幽默调侃的方式来探讨语言在马来西亚的窘境和吊诡性。
《城失空想》：“通過昆蟲偽裝的隱喻，演出以“城市”為出發點，探討了“城市”這麼一個生存空間和劇場的相似性，發掘出城市裏頭人們的追求、孤獨、挫敗、幻想、不安、疑惑等錯綜複雜的情緒。“城失空想”依循城市的主題脈絡，將劇場變成了一個充滿視覺和聽覺驚喜的魔幻空間，掀開一頁又一頁屬於城市的備忘錄，在逐步消失的過程中，回頭凝視我城。並於2010年受邀到新加坡濱海藝術中心演出。榮獲第六屆金馬侖藝術大獎 最佳燈光設計
入圍第六屆金馬侖藝術大獎 最佳導演、最佳舞台設計
《動物農莊》：為英國著名小說家喬治．歐威爾(George Orwell, 1903-1950)的作品，歐威爾痛恨暴政，被喻為「當代的良心」。故 事從農場裡德高望重的一頭豬說起，牠在臨死前提出了「人類剝削動物，動物須革命」的理論，掀起一場由豬領導的革命，農莊主人被趕走後，動物們實現了「動物 自治」的願望，農莊正式易名「動物農莊」。時日更迭，領導革命的豬們發生了分裂，一場又一場權力、慾望、暴政、剝削的戲碼不斷在農莊裡頭上演。榮獲第六屆金馬侖藝術大獎 最佳導演、最佳舞台設計、最佳服裝設計
入圍第六屆金馬侖藝術大獎 最佳燈光設計、最佳男配角，最佳音效設計
***********************************
有關平台計劃
多元文化和語境一直是馬來西亞獨有的原生特殊環境，東西方文化的歧意和衝突形成的混交特色，催生出風格獨具的藝術形式流派。「平台計劃」的成立緣起，就是冀望從這個多元文化器皿中汲取養分，以多元交流凝視自身、瞭望國際。有關平台計劃
「平台計劃」成立於2005年。「平台」，即平面的舞台，是一個沒有瓦牆與界限的交流場域。
「平台計劃」是一個開放的劇場合作計畫，藉由多元藝術形式的凝視、擦撞、實驗和媾和，醞造多元不設限的藝術交流。「平台計劃」也是一個移動的魔術游擊隊，成員 們的養成修持，囊括表演藝術、錄像、建築、舞踏、詩等形式各異的藝術專精，他們在其中呼吸、思考、創作，自由而相容。團員們在不斷加強自身專業裝備之餘， 也常跨足平台以外，積極探索形式各異的藝術交流合作，尋求藝術專精的躍進，打造幻詭迷人的藝術魔法。
「平台計劃」成立以來，除固定年度新作發表和國內外藝術交流計劃以外，2008年起，以系列表演藝術工作坊的引介，逐步搭建藝術教育與交流推廣的橋樑。
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