September 27, 2024

DOUBLE PUNCTUM 雙重刺點 2024


平台計劃呈獻  PENTAS PROJECT THEATRE PRODUCTION presents

  雙重刺點    DOUBLE PUNCTUM  
19~22 December 2024
at Pentas 2, The Kuala Lumpur Performing Arts Centre.

相隔十年 X 再刺豋場 
returns after 10 years, to remake its Punch 



凝視定格下的流動與改變,讓身體再次碰撞心靈的刺點。
一場延伸自攝影作品意象與靈感的舞蹈+劇場疊加創作。


《雙重刺點》由平台計劃呈獻,藝術總監羅國文導演,舞者劉銘和黃志雄,再度擕手登場呈獻<相紙>,一個以林偉彬摄影作品為意象靈感,延伸出的舞蹈+劇場疊加創作。

《雙重刺點》緣起於兩位攝影師林偉彬與莫育榮,他們在中國福建霞浦和九寨溝的攝影之行中,發現鏡頭背後的大自然,有著許多風格獨具、極具舞台張⼒的構圖。因而動念,邀請了羅國文導演和舞者劉銘,前往初冬的九寨溝,透過鏡頭微觀──⼩花⽊的微動、風過湖⽔的聲音、 地上霜的細小變化。隨後以霞浦和九寨溝的攝影作品為素材,延伸作品意象,把照⽚⾥的刺點,疊加在舞者⾝體創作的刺點上,並於2013年舉行首演,是大馬表演藝術中少見的攝影+舞蹈+劇場疊加創作。

2013年的《雙重刺點》演出共有兩支作品<沙>與<相紙>,舞者黃志雄更憑此演出榮獲第11屆BOH金馬崙藝術大獎最佳舞者。《雙重刺點》也同時入圍該屆藝術獎最佳舞台設計及最佳燈光設計。經過十年歲月的沉積,導演羅國文回顧自己對創作、時間意識的反思與掙扎,挑選了<相紙>一舞,重新梳理並整合架構,邀請當年的兩位舞者再次擔綱上場。同時也邀得郭偉廉操刀,為《雙重刺點》製作一部小型紀錄片。

經過歲月洗禮的肉身,劉銘和黃志雄通過肢體與心的重新對話。讓過去與現在再次撞擊,直接的連接與表達,凝視定格下的流動與改變——內與外。黑與白。靜與動。瞬間與流動。意像與形式。獨白與對話。重建與創新。

攝影,是在凝視之中用定格留住的瞬間捕捉;舞蹈,則是許多刹那流動組成的情感傳遞。在欣賞照片的構圖意境,又或者舞蹈肢體的张力表現,每個觀者都可以從中找到屬於自己共情的心靈衝擊——刺點。

"羅蘭巴特說,每一張照片裡,都有一個刺點。刺中觀者的情緒,攪動記憶裡的苦澀甜美。當攝影遇見表演藝術(舞蹈+劇場),那是刺點與刺點的相遇。刺點與刺點的相遇,相互撞擊的,會是什麼樣的新火花?"《雙重刺點》2013

配合黃楚原的原創音樂、林偉彬的舞台構思、羅國文的燈光設計以及甯振洋的全新服裝概念,《雙重刺點》讓觀者在影像與意象,時空與肉身之中,找到新的碰撞與火花,為雙重曝光的生命景觀再一次創建思考的空間,並留下新的刺點。刺點無法被單獨創造,它存在於凝視的影像與凝視眼中的碰撞;刺點,在時空流動的瘢痕中隱身,存在於身體無名的印刻和深深的追憶當中。

在舞者又一次的情感梳理與導演的重新架構下,在觀賞者張眼凝視與閉眼回神之間,這些刺點將會一一浮現,以不一樣的方式,刺中新的命點。



A contemplation of flow and change in static frames, a punctum where body and soul re-collide.  
A dance-theatre hybrid inspired by photography works
 


Presented by Pentas Project Theatre Production, "Double Punctum" is directed by Artistic Director Loh Kok Man, with dancers Ming Low and Wong Jyh Shyong joining forces once again to present “White Paper”, a dance-theatre hybrid inspired by Pam Lim’s photography works.

"Double Punctum" originated from photographers Pam Lim and William Mok, who - during their photography trips to China’s Xia Pu and Jiuzhaigou - discovered that the natural world captured by lens conveyed many unique styles and powerful stage imagery. This inspired them to invite director Loh Kok Man and dancer Ming Low to Jiuzhaigou in an early winter, where they closely observed through the lens: tiny movements of flowers and trees, the sound of wind across the lake, and the subtle changes of ground frost. Using photography from Xia Pu and Jiuzhaigou as material, they extended the imagery into a work where the puncta in the photos were layered upon the dancers’ body movements. The result was the premiere of “Double Punctum” in 2013, a rare photography-dance-theatre hybrid in the Malaysian performing arts scene.

2013’s performance of “Double Punctum” featured two works, “Sand” and “White Paper”. Dancer Wong Jyh Shyong won Best Dancer at the 11th BOH Cameronian Arts Awards for his performance in this production, which was also nominated for Best Stage Design and Best Lighting Design in the same awards . After a decade of culminating, director Loh Kok Man reflecting on creation and time, and the struggles with them, chose to restructure and refine “White Paper”. The original dancers were invited back to perform, and Will Kok engaged this time to create a documentary about the production.

Seasoned by the passage of time, the bodies of Ming Low and Wong Jyh Shyong will engage in a renewed dialogue of movement and emotion. The work brings the past and present into entropy, in the most direct relation to and expression of the theme. It contemplates the flow and change in what is captured — internal x external ;black x white;stillness x motion;fleeting x flow; imagery x form; monologue x dialogue;reconstruction x creation.

Photography captures fleeting movements through still images; dance conveys emotions through moving stills. Whether appreciating the imagery of a photo composition or the expanse in dance movements, each viewer can experience their own emotional impact—the "punctum".

Roland Barthes once said that every photograph has a punctum — a point that pricks the viewer's emotions, stirring bittersweet memories. When photography meets performing arts (dance and theatre), it is a meeting of punctum with punctum. What kind of new sparks emerge when these puncta collide? <Double Punctum> 2013

With original music by Ng Chor Guan, stage design by Pam Lim, lighting design by Loh Kok Man, and an all new costume concept designed by Quito Neng, “Double Punctum” allows the audience to discover new collisions and sparks between imagery and form, space and body. It invites reflection on life under double, creating a new punctum. Puncta cannot be created in isolation; they exist in the collision between the gazed image and the gaze. Puncta hide within the scars of time and space, residing in the body's nameless imprints and deep memories.

Through the dancers’ renewed emotional dialogue and the director’s restructured vision, these puncta will resurface, revealing themselves in different ways, piercing through to new life points as the audience gazes with open eyes or reflects with closed ones.

📹 video link. 🔗

攝影 : 林偉彬  ..............................    Photography: Pam Lim  
導演:羅國文  .............................    Director: Loh Kok Man  
舞者 : 劉銘、黃志雄  ..................    Dance Artists: Ming Low & Wong Jyh Shyong  

音樂:黃楚原  .............................    Music: Ng Chor Guan  
佈景設計:林偉彬  .....................    Set Design: Pam Lim  
服裝設計:甯振洋  .....................    Costume Design: Quito Neng  
燈光設計:羅國文  .....................    Lighting Design: Loh Kok Man  
紀錄片:郭偉廉  .........................    Documentary: William Kok  
畫外音: Ghafir Akbar  ...............    Voice Over: Ghafir Akbar  

製作人:羅國文  .........................    Producer: Loh Kok Man  
助理製作人:何慧婷  .................    Assistant Producer: Hoe Hui Ting  
宣傳與行銷:楊宏強  .................    Publicity and Marketing: Dylan Yeo  
製作經理:黃真慧  .....................    Production Manager: Valerie Wong Zhen Hui  
中文文案:李紅蓮  .....................    Chinese Copywriting: Lee Hoong Lian  
英文翻譯:黃建勝  .....................    English Translation: Jason Ng  
平面設計:曾期坤  .....................    Graphic Design: Bryan Chang Kee Khoon  
舞台監督:Armanzaki Amirolzakri  ......     Stage Manager: Armanzaki Amirolzakri  

  Dates & Timings    日期、時間  
19 December 2024 (thursday) 8:30pm
20 December 2024 (friday) 8:30pm
21 December 2024 (saturday) 3:00pm, 8:30pm
22 December 2024 (sunday) 3:00pm

  Ticket    票價   : .........................................................  RM88
  Group Ticket\ Buy 4 free 1    套票\ 買4送1    ........................ RM352
  Early Bird    早鳥優惠    END 27/10/2024 截止 )  ..............  RM58
  Arts Patron Ticket    藝文贊助票    .................................... RM150

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Artists Profile

舞者 : 劉銘      Dance Artist : Ming Low
劉銘曾在倫敦芭蕾中央學校深造,畢業後以獨立現代舞者的身分在德國、愛爾蘭、法國和英國等地演出。1991年,在英國文化協會等團體的資助下,他和Loh Pit Fong成立Bi Ma Dance Company。舞團主力創作原創長篇作品,1991年至1999年期間巡迴多國演出,包括英、台、馬、日、美、埃、東歐等地。除了自身創作,劉銘也常和其他舞者合作,作品包括《The Little Man》《1997)、 《Bumming in Beijing》(1998)、《Game Over》 (2008)、《Cross Words》 (2009)與《A Song Within》(2012)。他也曾在倫敦西區的音樂劇《國王與我》中,出演重要角色Simon of Le Gree。2008年返馬後,劉銘參與多部本土舞蹈製作,也身兼自由現代舞教職。

他在2010年受到了Pentas Project 的導演羅國文的邀請,參與了他的製作《Lost》和《The Epiliptic》,並在吉隆坡表演藝術中心和新加坡濱海藝術中心演出。隨後,在2013年創作了合作作品《Double Punctum》,並在目前重新上演。

Trained at the Central School of Ballet, London. He then danced professionally as an independent contemporary dancer in Germany, Ireland, France and UK.


He co-founded Bi Ma Dance Company with Loh Pit Fong in 1991 with the support of The Arts Council of England, British Council, The Place Theatre in London and Dance City in Newcastle. The company created original full-length works from 1991 to 1999 touring extensively in UK, Europe, Taiwan, Malaysia, Japan, USA, Egypt and Eastern Europe.

He was also involved in the West End musical production of ‘King & I’ playing the principal role of ‘Simon of Le Gree’ in 2000 and 2001.


 Ming created his own work and also in collaboration with other artists. ‘Half Man Half Myth’ (1991),  ‘The Little Man’(1997), ‘Bumming in Beijing’(1998), ‘Game Over’ (2008), ‘Cross Words’ (2009), ‘A Song Within’(2012), ‘Double Punctum’(2013), ‘The Corridor’(2016), 'Half man half myth 2' (2016)


Relocated back to Malaysia in 2008, he has been involved in local dance and musical productions and teaches at the Kwang Tung Dance Company, DPac Dance Company and Dpac Dancers Training Program.


He was invited by Director Loh Kok Man of Pentas Project to be involved in his production of Lost and The Epiliptic in 2010 performing at Kuala Lumpur Performing Arts Center and Singapore Esplanade. Following  that in 2013 with the creation of a collaborative work Double Punctum and the current restage.


舞者 : 黃志雄      Dance Artist : JS Wong

黃志雄專長於現代舞表演、編舞及相關實踐研究。他於2023年畢業於馬來西亞馬來亞大學舞蹈博士課程,並於2013年畢業於台灣國立台北藝術大學舞蹈研究所,主修創作。2005年,他以「一級榮譽藝術學士」畢業於香港演藝學院現代舞系後,隨即加入台灣雲門舞集。2005至2009年間,他隨雲門舞集巡演至歐洲、美洲、亞洲等主要舞蹈表演地點及各大小藝術節。2012年及2014年,他兩度獲頒第九屆及第十一屆馬來西亞Boh Cameronian Arts Awards年度舞者獎項。2013至2016年間,他擔任馬來西亞DPAC表演藝術中心及DPAC舞團的藝術總監。他的個人舞蹈創作除了受邀參演國內MyDance Festival與TARI國際舞蹈節外,也曾巡演至澳洲、日本、台灣、香港、新加坡與印度的藝術節/季。現為馬來亞大學創意藝術學院舞蹈系高級講師暨MyDance Alliance「吾舞聯盟」主席。

Specialising in contemporary dance performance, choreography, and practice-related research, Wong Jyh Shyong (JS) received a Doctor of Philosophy from Universiti Malaya in 2023, a Master of Fine Arts from the Graduate Institute of Choreography, Taipei National University of the Arts in 2013 and a Bachelor of Fine Arts from The Hong Kong Academy for Performing Arts with First Class Honours in 2005. Previously, he was a dancer with Cloud Gate Dance Theatre of Taiwan from 2005 to 2009, and toured with the dance company in Europe, the United States, Asia and other major dance performance centres and festivals. In Malaysia’s 9th and 11th BOH Cameronian Arts Awards, he received the Best Featured Performer award in 2012 and 2014. From 2013 to 2016, he was the artistic director of DPAC Dance Company and Damansara Performing Arts Centre. In addition to being invited to participate in local dance festivals such as MyDance Festival and TARI International Dance Festival, his choreographies have also toured art festivals/seasons in Australia, Japan, Taiwan, Hong Kong, Singapore and India. He is currently a dance department senior lecturer at the Faculty of Creative Arts, Universiti Malaya, and the President of MyDance Alliance.



        導演|製作人|燈光設計 :羅國文
        Director | Producer | Lighting Design :Loh Kok Man
羅國⽂,劇場導演、演員、燈光設計師、舞台設計師,同時也是經驗豐富的戲劇表演導師。他於2005年創辦了[平台計劃], 是⼀個⼀直致⼒於搭建橋樑以多元藝術交流為本的團隊。曾獲⾺來⻄亞⾦⾺崙藝術⼤獎的[最佳導演]、[最佳燈光設計]、[最佳舞台設計]獎的羅國⽂,創作向來善於綜合多種劇場的元素,尤其是影像、燈光、聲響、演員肢體和劇場的戲劇架構間交錯互動所呈現的效果,豐富了對劇場視覺空間及時間的探索。羅國⽂認為,跨媒體的合作讓創作者吸收彼此的養分,可為各領域積累開創性的創作,跨⽂化的交流亦然。他的創作開始時多以濃厚的後現代實驗意味,以詩意的邏輯發展肢體和空間的可能性⾒長,後以⽂本為中⼼的路向耕耘,欲深掘多元⽂化的交錯與構成,並從中吸取養分,開始創造獨特當代劇場美學的探索之旅。 

2002~2005年受東京世⽥⾕劇場邀請參加為期三年的「亞洲當代劇場交流計劃」。2005年獲得美國”亞洲⽂化協會“獎學⾦遠赴美國遊學半年。2013年獲得歌德學院獎學⾦赴柏林學習⼀個⽉。國⽂也經常受邀參與國際合作交流計劃,曾赴⽇本、韓國、印度、德國、菲律賓、上海、泰國、新加坡、台灣、紐約、柬埔寨及澳⾨等地參與演出和交流。

導演的作品包括了 2023《同棲時間》、2022《夢的故事》、2022/2016《劍⿂⦿妾》、2018《錯誤的悲喜劇》、2015《赤⿁》、2007/2010《城失空想》、2011/2018《⼀個名叫紅⾖妹的摩登師奶》、2013《雙重刺點》、2008/2011《動物農莊》及 2020《多重戀愛⼈⽣遊戲》等。

Loh Kok Man is a theatre director, actor, lighting designer, stage designer, and an experienced theatre acting coach. In 2005, he founded the Pentas Project Theatre Production, a team dedicated to building bridges for artistic exchanges across various disciplines. Loh has won the Malaysia BOH Cameronian Arts Awards for "Best Director," "Best Lighting Design," and "Best Stage Design." His works are known for integrating multiple elements of theatre - particularly through the interaction of visuals, lighting, sound, physicality, and the dramatic structure of theatre - to enrich the exploration of theatre’s visual space and time. Loh believes that collaborations, across media and/or cultures, allow artists to cross pollinate and culminatively break new grounds. His early works had a strong postmodern experimental approach, adept at using poetic logic to develop the potential of movement and space. He later shifted towards text-based works, delving into the intersections of diverse cultures, extracting their essences, and embarking on a journey to create a unique contemporary theatre aesthetic.


From 2002 to 2005, he was invited by Tokyo’s Setagaya Theatre to participate in a three-year "Asian Contemporary Theatre Exchange Programme." In 2005, he received a scholarship from the Asian Cultural Council in the U.S. for a six-month study trip. In 2013, he was awarded a scholarship by the Goethe-Institut for a one-month study trip in Berlin. Loh is frequently invited to participate in international collaborations, visiting Japan, Korea, India, Germany, the Philippines, Shanghai, Thailand, Singapore, Taiwan, New York, Cambodia, Macau, and so on, to perform and for exchanges.


Some of his directorial works include "The Brotherhood" (2023), "The Tales of Dream" (2022), "The Swordfish, Then The Concubine" (2022/2016), "The Tragicomedy Of Errors" (2018), "Red Demon" (2015), "The Lost and The Ecliptic" (2007/2010), "A Modern Woman Called Ang Tau Mui" (2011/2018), "Double Punctum" (2013), "Animal Farm" (2008/2011), and "The Games Of Polyamory Life" (2020).


August 28, 2024

蜂 THE BEE /2024



 🐝 蜂 🐝 THE BEE 🐝

21 November ~ 1 December 2024 
at Black Box, Damansara Performing Arts Centre

🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝

平台計劃 & W Productions 聯合呈獻 
Pentas Project Theatre Production & W Productions co-present's

改編自筒井康隆短篇小說《愛身群島(互扯)》
 🔪華語演出,附英文字幕 🔪

「一個平凡的上班族,他努力工作,照顧家人。某天下班路上,有個從監獄逃出來的囚犯闖進了他的生活,綁架了他的老婆和小孩⋯⋯」

Based on the original story Mushiriai (Plucking At Each Other) by Yasutaka Tsutsui
 🔪In mandarin with English surtitles 🔪

“He’s just an ordinary guy with a simple life, until a prisoner shatters his peaceful life by kidnapping his wife and child……”

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一場幽默、血腥、瘋癲的人間鬧劇

美國911恐怖事件發生以後,劇作家深受啟發,將筆觸探入日常,透過一起社會事件探討生活裡隨時發生的暴力行為:

一樁綁架案,撕開了平靜生活的表層,揭露無處不在的暴力。當人被逼到絕境時,往往會激發出內心最黑暗的一面。幽默、瘋狂、荒謬、血腥,這部集多種元素的黑色喜劇,將不斷提醒你——

每個加害者都有可能是受害者,每個受害者都可能變成侵略者。

《蜂》2006年於英國倫敦首演,後英文、日文及中文版相繼巡迴世界多地。如今,《蜂》中文版將首度在馬來西亞演出,是羅國文導演繼《赤鬼》後再度執導野田秀樹的優秀劇作,並由葉偉良擔綱製作。

繼上一部聯合打造的劇作《同棲時間》榮獲第19屆戲炬獎年度最佳戲劇後,「平台計劃」及「W Productions」再度攜手,集結獲獎無數並享譽國際的製作與設計團隊。2024年末鉅作《蜂》,將帶給觀眾瘋癲、幽默,又荒誕的驚喜。

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After the USA 9/11 terrorist attacks, playwright Hideki Noda was inspired to delve into the details of everyday life and reveal the violence lurking within our daily routines:

A kidnapping case shatters the peace, exposing the omnipresent threat of violence. When pushed to the brink, even the most ordinary person can unleash their darkest side. This play, filled with humor, madness, absurdity, and bloodshed, serves as a constant reminder:

Every villain might once have been a victim, and every victim could become the next villain.

‘The Bee’ first premiered in London in 2006 and has since toured the world, with performances in the United States, France, Korea, Japan and Taiwan. The play has been translated and performed in various languages including English, Japanese, and Chinese. For the very first time, the Chinese production of ‘The Bee’ is coming to Malaysia, produced by William Yap and directed by Loh Kok Man, who returns to Hideki Noda’s work after his success with ‘Red Demon.’

This time, ‘Pentas Project’ and ‘W Productions’ have once again joined forces, bringing together an internationally acclaimed, award-winning production and design team, following their successful collaboration on ‘The Brotherhood,’ which earned the title of Best Drama at the 19th ADA Drama Awards. The grand production of ‘The Bee’ at the end of 2024 promises to deliver a whirlwind of craziness, humor, and absurdity that will leave audiences spellbound.

🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝






















編劇/ 野田秀樹(日本)、Colin Teevan (愛爾蘭) 🔪 Written by: Hideki Noda (Japan), Colin Teevan (Ireland)
劇本翻譯/吳政翰 (台灣)  🔪 Script Translation: Cheng-Han Wu (Taiwan)
製作人/ 葉偉良  🔪 Producer: William Yap
導演/ 羅國文  🔪 Director: Loh Kok Man
演員/ 曾宏輝、蔡德耀、鄧繡金、林思傑  🔪 Cast:  Fai Chen, Yeo Lyle, Thian Siew Kim, SJay


音樂與音效/ 李河健  🔪 Music & Sound: Kent Lee
影像設計/  Fairuz Sulaiman  🔪  Multimedia: Fairuz Sulaiman
佈景與道具/  蔡紫瀅  🔪 Set & Props: Chua Zi Ying
服裝設計/ 呂素君  🔪 Costume: Beatrice Looi
燈光設計/ 羅國文  🔪 Lighting: Loh Kok Man

製作助理/  何慧婷、蘇中宏  🔪 Assistant Producer: Hoe Hui Ting, Soh Chong Hong
製作經理/ 黃永益  🔪 Production Manager: John Wong
宣傳/ 葉偉良、 楊杏瑤  🔪 Publicity: William Yap, Mia Yong
平面設計/ Tree Egg PLT  🔪 Graphic Design: Tree Egg PLT
中文文案/ 黃子揚  🔪 Chinese Copywriting: Goaty Wong
英文翻譯/ 王河源  🔪 English Translator: Zach Wang
拍攝與攝影/ 周建國  🔪 Photography & Videography: Kent Chu @ 35 Stripes
舞台監督/黃奕寧  🔪 Stage Manager: Ng Yuh Ning

🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝🐝











































日期和時間 Date and Time/
21 November 2024 (thu)  ⏰ 8:30pm
22 November 2024 (fri)   ⏰ 8:30pm
23 November 2024 (sat)   ⏰ 3:00pm, 8:30pm
24 November 2024 (sun)  ⏰ 3:00pm, 8:30pm

28 November 2024 (thu)  ⏰ 8:30pm
29 November 2024 (fri)   ⏰ 8:30pm
30 November 2024 (sat)   ⏰ 3:00pm, 8:30pm
01 December 2024 (sun)  ⏰ 3:00pm, 8:30pm

票價 Ticket Price
RM 68 早蜂票 (限量優惠至 20/9/2024) Limited Early Bee ends on 29/09/2024
RM 88 標準票 Standard Ticket
RM 118 藝文贊助票 Patron of the Arts (VIP)
購票連結 BUY TICKET NOW/  

Pentas Project Instagram/ @pentas_project / Facebook Page 
W Production Instagram/ @w_productionsmy

Supported by    


Performance license[s] of the play were arranged through Noda Map, Tokyo (nodamap-all@nodamap.com).







August 3, 2024

表演訓練工作坊 觀點與實務的練習 2024



表演訓練工作坊  觀點與實務的練習

16堂課,48小時,平台計劃創辦人及著名劇場導演羅國文親自指導,讓遊戲、喜悅與想像力,與你一起打開創意之門。

由平台計劃主辦,<觀點與實務的練習——表演訓練工作坊>,旨在發掘個人表演潛力,為劇場挖掘並培養劇場優秀演員。無論是影視劇工作者(演員、導演等),又或者對表演有興趣的人,歡迎一起學習,提升表演水平,創造合作機會。

擁有超過25年教學經驗的指導老師羅國文導演,以其豐富劇場實踐及跨影視實踐,帶領16位學員體會最實際的互動式實戰演練——觀點學習+實務操作!學習運用我們天生的表演工具——身體和聲音,用最有趣且充滿挑戰的方式去了解表演的奧義。

為鼓勵並協助有需要的大馬藝術工作者(戲劇、舞蹈、音樂)或在藉表演藝術學生,自我提升及增值。本工作坊獲得馬來西亞旅遊、藝術與文化部的補助,將為符合資格的學生提供半免助學金!

工作坊與助學金計劃,即日起開放報名,至額滿為止!

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表演課程簡介

表演是一種遊戲,一種運用身體和聲音在不同的時間和空間與他人的關係進行意見傳達的一場遊戲。為了演好戲,表演者必須進行訓練,去學會有意識的去支配自己的聲音和身體。訓練要求每個學習表演的人,根據自身不同條件達到學習的目的,透過空間、時間、雕塑、動作、情緒與故事中,從學習思考與判斷的初期,以戲劇的生動幫助你認識和了解自己與群體。經由遊戲中的喜悅,一同探究表演創意與想像力的真實世界。
遊戲、喜悅與想像⼒讓你打開創意之⾨ 
導師:馬來西亞著名導演/羅國文

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課程資訊 &報名方式修習課時:
  • 16堂課 x 3小時,共48小時。
  • 上課日期/時間  : 
18 October 2024 (Fri) ..... 8:00pm~11:00pm
19 October 2024 (Sat) ..... 9:30am~12:30pm. ..... 1:30pm~4:30pm
20 October 2024 (Sun) ..... 9:30am~12:30pm  ..... 1:30pm~4:30pm
22 October 2024 (Tue) ..... 8:00pm~11:00pm
23 October 2024 (Wed) ..... 8:00pm~11:00pm
24 October 2024 (Thu) ..... 8:00pm~11:00pm
25 October 2024 (Fri) ..... 8:00pm~11:00pm
29 October 2024 (Tue) ..... 8:00pm~11:00pm
30 October 2024 (Wed) ..... 8:00pm~11:00pm
31 October 2024 (Thu) ..... 8:00pm~11:00pm

1 November 2024 (Fri) ..... 8:00pm~11:00pm
5 November 2024 (Tue) ..... 8:00pm~11:00pm
6 November 2024 (Wed) ..... 8:00pm~11:00pm
8 November 2024 (Fri) ..... 8:00pm~11:00pm
  • 地點:TO BE CONFIRM
  • 學費:RM 2,300 | 早⿃優惠 RM1,800(截止日期 31/08/2024) (另有學費補助計劃,詳請見下。)
  • 課程以中文為媒介語,只限16名學員,額滿即止。
  • 招⽣對象:演員、導演或任何對表演有興趣的公眾人士
  • 報名連結:申請表格,請按我。
  • 報名洽詢:016-8674838









Supported by 
KEMENTERIAN PELANCONGAN, SENI DAN BUDAYA. 



學費補助計劃 / 只限8位 (申請截止日期 19/08/2024)
  1. 申請截止日期 19/08/2024 @ 晚上8點。
  2. 只限19歲以上⾺來⻄亞公⺠申請。
  3. 申請者資格需要經過主辦單位審核通過。成功者將獲 50% (RM900) 補助⾦,只須⽀付其餘 RM900 學費。
  4. 受助學員必須完成全部16堂課,缺席者將取消補助資格,同時必須支付餘款。
  5. 課程結束後,受助學員必須自己個人社交媒體帳⼾上撰寫與公開張貼⼀篇(最少500字數)關於此次學習的心得或體會貼⽂。
  6. 申請者必須提交一份個人簡歷和申請表格,逾期或申請資料不全,恕不受理
  7. 主辦單位對補助審批及取消有最終決定的權力,任何書信或異議,恕不受理。

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導師簡介:

⊙羅國⽂⊙[平台計劃/劇團](2005—迄今)創辦人,劇場導演、演員、燈光設計師、舞台設計師、戲劇表演導師,善於綜合多種劇場元素,尤其在調度演員肢體、舞台與戲劇架構、影像、燈光、音響的交錯互動。

曾獲獎項⾺來西亞⾦⾺崙藝術⼤獎【最佳導演】、【最佳燈光設計】、【最佳舞台設計】。

作品:2023 -《同棲時間》、2022 -《夢的故事》、2022 -《劍⿂⦿妾》重演(首演2016)、2018 -《錯誤的悲喜劇》、《⼀個名叫紅⾖妹的摩登師奶》、2016 -《赤⿁》、2013 -《雙重刺點》、2011 -《動物農莊》重演(首演2008)

國際交流經驗曾赴⽇本、韓國、印度、德國、菲律賓、上海、泰國、新加坡、台灣、紐約、柬埔寨及澳⾨等地參與演出和交流。2002~2005年受邀參加為期三年「亞洲當代劇場交流計劃」(東京世⽥⾕劇場);獲美國”亞洲⽂化協會“獎學⾦赴美國遊學(2005);獲歌德學院獎學⾦赴柏林學習(2013)。



# 文案撰寫與整理:李紅蓮



June 24, 2023

同棲時間 The Brotherhood (21~24 September 2023)


同棲時間 The Brotherhood


他與他的血液裡,留著相愛的苦難。
少了一彩的虹,可以擁有完整的天空嗎?


21~24 September 2023
* with English and Chinese Sur-titles 

臺馬劇場交流 跨國共製
Taiwan + Malaysia International Collaboration Theatre Project

演出日期 Date and Time\
21/9/2023 @ 8:30pm
22/9/2023 @ 8:30pm
23/9/2023 @ 3:00pm & 8:30pm
24/9/2023 @ 3:00pm


票價 Ticket Price\
RM 68(早鳥 Early Bird | 截止日期:30/07/2023)限量發售,趕緊行動
RM 88(標準 Standard)買十送一
RM 108 (貴賓 VIP)

🚩 Joining forces with theatre elites from Taiwan and Malaysia, we proudly present 'THE BROTHERHOOD' a multinational production that promises to captivate you and immerse you in its profound emotions!

🚩
Special guests from the Taiwanese theatre scene: Lin Menghuan (playwright) and Wang Chaoyang (actor) will be joining us in Malaysia for a cultural exchange.
 
🚩
Malaysia's outstanding production team: Renowned director Kok Man, talented actor Lawrence Ong, Noah Yap, award-winning musician Kent Lee, set designer Zen Tan, lighting designer Sing Lim, costume designer Jacklyn etc.


"He and the suffering of love reside in his blood. Can a sky without one color of the rainbow truly be complete?"
A story about survival, boundaries, and choices.
A dance that blends gender, love, and pain through Salsa.
They long for the ordinary but find themselves exposed.
They strive to survive, yet they must confront the world.
THE BROTHERHOOD' a collaboration between a Taiwanese playwright and a Malaysian director with actors from both regions, lays bare the harsh realities faced by marginalized individuals in society—just for wanting to love, have we gone astray?

* Each performance will be followed by a Q&A session with Taiwanese playwright, Lin Meng-Huan, director & actors.




一對相愛的同志情侶,竟意外發現他們是親兄弟。
血緣裡流著的親屬關係,究竟還容納得下愛情嗎?
台灣編劇、大馬導演,兩地演員聯手演繹的《同棲時間》,
將血淋淋的現實攤在日光底下,細述社會少數遭遇的苦難
————只是想要愛,我們錯了嗎?

演員 Casts:
翁書強 Lawrence Ong、王肇陽 Wang Chao-Yang (台灣)、葉國文 Noah Yap


製作人 Producer:葉偉良 William Yap
導演 Director:羅國文 Loh Kok Man
原著
Written by:林孟寰 Lin Meng-Huan (台灣)
改編 Adapted by:梁家恩 Giant Liang,Mark Beau de Silva





製作經理 Production Manager:蘇中宏 Soh Chong Hong

舞台設計 Stage Designer:陳芊玲 Zen Tan
燈光設計
Lighting Designer:林偉星 Sing Lim
音樂音效設計
Sound and Music Designer:李河健 Kent Lee

多媒體設計
Multimedia Designer:Fairuz Sulaiman
服裝設計
Costume Designer:陳凌嫣 Jacklyn Tan
舞台監督與道具執行
Stage Manager and Props Exec.:蔡紫瀅 Ziying Chua
平面設計 Graphic Designer: 李立祥 Lee Lik Hsiang 藍氏君 Tsuji Lam
中文文案
Chinese Copywriter:黃子揚 Goaty Wong

故事簡介\
自按摩店相遇後相愛的一對同志情侶,在父親的告別式上發現雙方竟是同父異母的親兄弟。從此裂開的情愛世界,他們被迫面對的,不只是血緣關係的桎梏,還有社會的眼光、第三者的介入、原生家庭的傷害⋯⋯

一部關於生存、框架與抉擇的故事;
一支糅合性別、愛與傷害的Salsa之舞;
他們渴望平凡,卻終究落得無所遁形。
他們努力求存,卻不得不與世界抵抗。

由馬來西亞資深導演羅國文執導、台灣新生代作家編劇林孟寰創作的台馬舞台劇《同棲時間》,將於今年九月在吉隆坡正式上演。這場舞台劇為促進台灣與馬來西亞雙邊的表演藝術與劇場文化的交流,由馬來西亞演員Lawrence翁書強、Noah葉國文及台灣演員王肇陽擔綱演出,劇情融合馬來西亞在地元素,探討弱勢群體的人權及生存課題。

團隊介紹:

演員  翁書強 Lawrence Ong
⾺來西亞吉蘭丹人,是一名中英雙語的劇場、影視、廣告∕MV、多媒體演員。於台北藝術大學戲劇藝術研究所(表演組)畢業,曾到美國紐約HB Studio - Uta Hagen 及 Atlantic Acting School 學習表演。⽬前是上海溫哥華電影學院 (SHVFS)影視表演系主任及⾼級導師 (2019-2023)。

演員  王肇陽 Wang Chao-Yang (台灣)
台灣彰化人,畢業於私立中國文化大學戲劇學系,主修表演。2019年入圍台北電影節「非常新人企劃」。曾經被劇場震動過靈魂,也希望能成為撼動別人的人,持續表演,成為自己並尋找支持生活的可能性。

演員  葉國文 Noah Yap
舞台劇演員∕高空舞者∕寵物美容師∕頌缽音療∕刺青∕玩具收藏家等。是個多才多藝,跨越不同界限的斜扛青年。2022年憑《女人最痛之四朵金花》榮獲戲炬獎最佳男演員(配角)。

編劇  林孟寰(台灣)
台灣新生代劇作家,台大戲劇學系劇本創作碩士,2019-2020台中國家歌劇院駐館藝術家,「宅故事創作 Story Nerds Works」故事總監。曾獲台北文學獎劇本獎、香港青年文學獎、台北兒童藝術節兒童劇本獎等,出版著作有《彩石遺事》、《方舟三部曲》等,舞台作品有《野狼犬之家》、《前進吧!方舟》等,並以電視劇《通靈少女》入圍台灣電視金鐘獎迷你劇集項目最佳編劇。

導演  羅國文
劇場導演、演員、燈光設計師、舞台設計師、戲劇表演導師及「平台計劃/劇團」藝術總監。2005年榮獲美國「亞洲文化協會」獎學金遠赴紐約遊學半年。曾獲馬來西亞金馬崙藝術大獎最佳導演、最佳燈光設計、最佳舞台設計。多次受邀至日本、德國、韓國、台灣、上海、紐約等世界各地參與交流計畫並演出,作品包括《動物農莊》、《夢的故事》、《錯誤的悲喜劇》、《劍魚·妾》等。

製作人  葉偉良
劇場導演、編劇、製作人、演員,現任馬來西亞電台总监。2010年發起與製作「愛的系列」舞台劇,作品如《等愛》、《戀愛》、《錯愛》等廣受好評,並榮獲戲炬獎最佳原創劇本。長期深耕同志題材劇作,包括《PEOPLE LIKE US》、《LTR》、《BFF》等,皆創下場場爆滿的佳績。2020年於新冠疫情期間創辦網絡劇場【雲劇場】(現稱CloudJoi),除了讓馬來西亞及海外表演藝術能在線上演出,也積極拓展在地表演藝術。