photographed by kokm@n
Sunday, October 12, 2008
Monday, September 08, 2008
Animal Farm 動物農莊
15 oct 2008/sold out平台計劃２００８年度製作
動物農莊
Animal Farm
革命前，他們是一群笨蛋；革命後，他們還是一群笨蛋
２００８年１０月，劇場實力最鑑鏘的政治隱喻演出
繼幻麗異想的城市表述之作「城失空想．一個殘缺不全支離破碎失憶症患者的十個備忘錄」後，「平台計劃」２００８年１０月全新年度力作，挑戰大家熟悉的政治隱喻小說「動物農莊」，大膽叩問權力和慾望底層的闇黑糾葛，隱然呼應現實生活中民怨不斷、光怪陸離的政治民生異像。
「動物農莊」為英國著名小說家喬治．歐威爾(George Orwell, 1903-1950)的作品，歐威爾痛恨暴政，被喻為「當代的良心」。「動物農莊」是一部政治諷刺小說，書中藉由一座由動物自治的「動物農莊」，展現獨裁統治下的各種醜面，是作者最受歡迎的作品。
故事從農場裡德高望重的一頭豬說起，牠在臨死前提出了「人類剝削動物，動物須革命」的理論，掀起一場由豬領導的革命，農莊主人被趕走後，動物們實現了「動物自治」的願望，農莊正式易名「動物農莊」。時日更迭，領導革命的豬們發生了分裂，一場又一場權力、慾望、暴政、剝削的戲碼不斷在農莊裡頭上演。
劇本改編自歐威爾(George Orwell)《動物農莊》的原著小說和 Ian Wooldridge《動物農莊》的劇本版
導演：羅國文
劇本改編：陳燕棣
演員：顏果＋鄧壹齡＋曾宏輝＋陳麗玲＋林冬輝＋巫紹棋
製作經理＋中文宣傳：區琇詒
舞台設計：張忠勇
音樂與音效設計：吳聖雄＋張俊開
服裝設計：Dominique Devorsine
燈光設計：羅國文
中文文案：陳燕棣
英文文案翻譯：區琇詒
英文文案審閱＋英文宣傳：Pan Swee Chin
平面設計：Colorganda!
日期＋時間：
２００８年１０月９日之１８日＠８：３０pm
２００８年１０月１２日＠３：００pm＋８：３０pm
２００８年１０月１９日＠３：００pm
（２００８年１０月１３日 無演出）
地點：
票價：
ＲＭ３７（成人） ＲＭ２２（學生、樂齡人士、殘障朋友）
購票熱線：
(KLPac) ０３﹣４０４７ ９０００
洽詢：
０１２﹣２６６１５７９／０１２﹣２７７８８７１
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Presented by Pentas Project Theatre Production
Animal Farm
They are idoits before the revolution; they are still idiots after the revolution
Adapted from a novel by George Orwell and script written by Ian Wooldridge
IN MANDARIN WITH ENGLISH SURTITLES
A political metaphoric performance presented by the most promisisng force of theatre in 2008.
George Orwell's scathing destruction of the dictatorial governance of Communism, "Animal Farm" was written in 1945. Yet, what is its relevance today? In 2008, Pentas Project will boldly question the complications of power and greed, capita;ising upon the boiling discontentment of the people and the strange political and social phenomena which is real life for many.
This is a shattering story of totalitarianism, desire, grees and corruption - forcing you to face the actual collective consciousness of the worst of human weaknesses.
Director : LOH KOK MAN
Chinese Script : TAN YAN TEE
Cast : GAN HUI YEE + LING TANG + CHEN HUEN PHUEI + CHIN LEE LING + LIM TIONG WOOI + MOO SIEW KEH
Production Manager : AU SOW YEE
Set Design : CAECAR CHONG
Music & Sound Design : BERNARD GOH + TERRENCE CHONG
Costume Design : DOMINIQUE DEVORSINE
Lighting Design : LOH KOK MAN
Date & Time:
9-18 OCTOBER 2008 @ 8:30PM
12 OCTOBER 2008 @ 3:00PM + 8:30PM
19 OCTOBER 2008 @ 3:00PM ONLY
( NO SHOW ON 13 OCTOBER 2008 )
Venue :
PENTAS 2, THE KUALA LUMPUR PERFORMING ARTS CENTRE (KLPac)
Ticket:
RM 37
RM 22 (STUDENTS, DISABLE & SENIOR CITIZENS)
Box Office :
(KLPac) 4047 9000 / (TAS@BSC) 2094 9400
Contact:
012-266 1579 / 012- 277 8871 / info@pentasproject.com
Supported by KLPac + HSBC in the Arts + Colorganda!
radio promo
Thursday, September 04, 2008
Break-ing/ 击破（Ji Po）/ Ka Si Pe Cah : Pentas Theatre Collaboration Project
Co-presented by Pentas Project Theatre Production + The Instants Cafe Theatre Company + Alternative Stage
Break-ing /击破(ji po)/Ka Si Pe Cah
Pentas Theatre Collaboration Project
"These three pieces, as a whole, have challenged us not only in our thinking about language, but also in our thinking beyond language." --Kakiseni.com
"Beatiful and elliptical... exuberant... ...Dramatists across the Causeway explore issues of language, politics and identity with mostly beautiful and hilarious results." by Adeline Chia, Singapore
"...each director ...succeeds in delivering something resonant, relevant and powerful.,,, a remarkable evening, displaying the vibrant diversity of the KL theatre scene" -- The Flying Inkspot, Singapore.
Pentas Theatre Collaboration Project is a platform of interaction within different cultures and realms and encourages diversities and possibilities in theatre arts and theatre language.
A collaboration based on the theme of LANGUAGE, was between three Malaysian theatre company, Pentas Project Theatre Production, The Instants Cafe Theatre Company and The Alternative Stage. Premiered in 2006 in Kuala Lumpur, it went on its international tour to Japan and Singapore in 2008. Now we are back in KL.
A triple-bill of plays --
Silence, please
3 women deal with the death of their mother, two men create a work of art and someone has something to say about what is not being said...
"Silence, please works beautifully with its oblique, sophisticated approach to contemporary theatre; five actors move in a combination of naturalistic and abstract movements as a brilliantly performed English-language voiceover describe a Hindu family's experience og their mother's death. Poetic, moving, and politically resonant too-splendid." - Fying Inspot Singapore.
Repot [ Mind+Mine ]
This is a formal yet informal report. Repot[Mind+Mine] humorously explores the situations and irony in the Malaysian lingo. If they could go back in time, if they walk into the world of P.Ramlee, if they tell you and me - Language is only a strange kind of blah, blah, blah, blah, blah...
"Features a madcap series of scenes where four Chinese-language actors re-enact the interrogation of language; they mimic own monologues and movements as pre-recorded video of their improvisation plays in the background, then re-enact interview with a range of mandarin, Cantonese, Hokkien and Hakka-speaking citizens; then there's the P.Ramlee movie... Coming after a piece about silence, this piece is instead about noise, language as noise, politics as noise, performance as noise, noise that is glorious, chaotic and alive... hilarious" Flying Inkspot Singapore.
WIP
In an unknown space, a blindfolded man tries desperately to connect with another man in a futile attempt to avoid death. He asks to share a cigarette, tries to find out his his gaoler's name and then finds himself beginning to share his hopes and dreams...
"The production wisely chose to end with Nam Ron's piece, which explores the ultimate reaching and yearning that is sometimes thwarted by language. The blindfolded victim wants to know his assassin's name. What's in a name? Was he appealing to a host of other memories and associations that the assassin had about himself, to his own humanity? And does the violence in this pieces say something about what happens when language is just not enough to express onself, anymore?" Kakiseni.com
Directors : Jo Kukathas, Loh Kok Man & Nam Ron
Casts : Anitha Abdul Hamid, Anne James, Chen Huen Phuei, Gan Hui Yee, Kiea Kuan Nam, Lee Swee Keong, Ayam Fared, Moo Siew Keh, Thiagu, Tin Tan Chai Chen, Sukania Venugopal, Where
Set Design : Caecar Chong & Teoh Shaw Gie
Music Composer & Sound Design : Ng Chor Guan
Lighting Design : Loh Kok Man
Multimedia : Au Sow Yee
Stage Manager : Jason Lai
venue:
Date & Time :
25th ~ 28th September 2008
8:30pm (wednesday to sunday)
3:00pm (sunday)
Ticket:
RM47 (Adult) RM27(Students, Disable & Senior Citizens)
10% discount for Astro subscribers
PREVIEW 24TH September 2008 @ 8:30pm / RM 27 Only
Box Office: (KLpac) 4047 900 (TASB) 2094 0400
More info:
info@pentasproject.com / info:instantscafetheatre.com
Supported by : HSBC in the arts / ASTRO / Colorganda!
Reviews :
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BREAK-ING 擊破 KA SI PE CAH
平台劇場合作交流計劃
呈現單位
平台計劃＋The Instant Cafe Theatre Company＋The Alternative Stage
日期：
２００８年９月２４日至２８日 ＠８：３０pm
２００８年９月２８日＠３：００pm
票價：RM47（成人） RM27 （學生、殘障與樂齡人士）
預演２００８年９月２４日（票價一律 RM 27）
票務：(KLPac) 4047 9000
電郵： pentasproject@gmail.com
導演：羅國文／Jo Kukathas／Nam Ron
演員：
Anne James／丘冠南／Anitha Abdul Hamid／李瑞強／Sukania Venugopal／R Thiagarajan／顏果／曾宏輝／陳彩珍／Where／Ayam／巫紹棋
舞台設計：張忠勇 燈光設計：羅國文 音樂與音效設計：黃楚原
影像設計：區琇詒 平面設計：Colorganda! 舞台監督：黎百齡
馬來西亞的社會環境包括劇場領域本身，語言往往構築了種族之間的一個隱約的界線，為了試圖打破這一界線，于２００６年，平台計劃聚合了本地知名英文劇團 The Instant Cafe Theatre Company 以及馬來劇團 The Alternative Stage，以語言為課題進行一項名為“擊破：平台劇場合作交流計劃“的劇場交流活動。三位來自于不同文化源流，並在國際間得到認可的著名劇場導演﹣﹣羅國文、Jo Kukathas 和 Nam Ron，再結合本地各藝術領域的創作者，如張忠勇、趙少傑和區琇詒，攜手合作為觀眾在國家語文出版局的小劇場帶來一次精彩而深刻的演出。
“擊破：平台劇場合作交流計劃“結合了三個單元，（一）請，安靜、（二）【思想＋自分】報告、（三）WIP，演出運用戲劇、視覺以及聲音元素，以或詩意，或幽默，或批叛的手法探索“語言“在馬來西亞的位置和困境，為不同文化與藝術領域提供了一個交流的舞台。“擊破：平台劇場合作交流計劃“引起了頗為熱烈的回響，更於次年獲得第五屆金馬侖藝術獎的７項提名。
本的著名藝術網站 Kakiseni.com 曾評論「擊破：平台劇場合作交流計劃，不僅挑戰觀眾對語言的既定想法，也挑戰了我們對于語言課題以外的思考。」“擊破：平台劇場合作交流計劃“于２００８年２月和４月間應邀前往日本和新加坡作巡回，當時還邀請了年輕作曲家黃楚原為演出作全新配樂、再結合經驗豐富的演員陣容，如Anne James、 Sukania Venugopal、顏果、陳彩珍、李瑞強、曾宏輝、巫紹棋等人。這群源自不同文化和語言背景的演員們，既將於２００８年９月２５日至２８日晚上８點３０分，在吉隆坡表演藝術中心(KLPac), Pentas 2小劇場再次粉墨登場。
贊助單位：
HSBC in the arts
ASTRO
Colorganda!
Tuesday, August 26, 2008
《一個人的晚餐》交流與示范演出
平台計劃 呈現
編劇／導演／演員：馬照琪 （台灣）
入場免費
馬照琪，在吉隆坡進行為期四天的工作坊以前，帶來一場２０分鐘的單人示范演出，並將在演出後和現場觀眾進行交流。此示范演出為馬照琪在法國亞維農戲劇節演出的《一個人的晚餐》部分片段。
這是一個３０歲平凡單身女子的故事。入復一日在下班回家和再次出門之間，甚麼在等著她？泡麵、電視、空房間？還是，正要開始精彩的寂寞狂想．．．
贊助
ＨＳＢＣ in the arts
中華民國僑務委員會
The Annexe Gallery, Central Market
KLPac
Colorganda!
日期／時間：
２００８年９月１７日 ＠ 8:30pm
地點：
The Annexe Gallery, Central Market Annexe KL
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DINNER FOR ONE
Demonstration performance and artist talk
playwright/director/performer : Ma Chao Chi (Taiwan)
FREE ADMISSION
Before conducting a 4 days workshop, Ma Chao Chi will do a 20 minutes demonstration performance using techniques she learnt from the Lecoq School. This demonstration performance is excerpted from her full length one woman play "Dinner for one". She will also be there for a brief artist talk after the performance.
Dinner for one is a clown-solo played by an actor. The story speaks of one woman who lives alone, and who in spite of her loneliness and monotonous life, is always looking for love. We see how she spends her everyday life in a very small and dull room. With the unwinding of the actions - her joy, her loneliness, her fear, and her dream are manifested.
sponsored
HSBC in the arts
中華民國僑務委員會
The Annexe Gallery, Central Market
KLPac
Colorganda!
Date & Time
17th september 2008 @ 8:30pm
Venue
The Annexe Gallery. Central Market
Tuesday, July 29, 2008
平台劇場工作坊系列００３
平台計劃主辦
表演訓練工作坊
指導老師：馬照琪 （臺灣）
課程內容：
著重在賈克樂寇技巧之最基楚的概念應用與練習，以及表演中身體與空間、時間、節奏、戲之間的關係。內容包括：無語言即興練習，動作分析，風火水土認同練習，以及中性面具等。
課程規劃：
動作分析：我們將從人類日常生活之動作模仿與分析出發，發掘人類動作的法則。除此之外，動作分析還包括簡單的默劇、體操、戲劇遊戲，以及舞台打鬥動作，藉此找到人類動態的協調性以及表演之中最重要的元素﹣﹣遊戲。
即興練習：包含無語言狀態之即興練習，表演與節奏、空間的關係，想像力與表演策略之練習，顏色、文字、音樂、物質。
中性面具：中性面具（masque neutre)是一種沒有表情的面具。它代表的是一種完全平衡與協調的的肢體及心理的各種習慣與偏執拋開，回到如自然人一般的白紙。
劇種探索：我們將從推與拉的動態中，進入到以下三個劇種：通俗劇 (Melodrama)、悲劇 (Tregedy)、義大利即興喜劇 (Commedia dell' Arte)。
動作專題：課程內容將透過肢體活動的練習，體驗身體平衡與失衡的狀態、身體的協調性、與方向及空間的關係、直接單純的力量投射，進而將內在情境與肢體做平衡結合。
獨立創作：學員將在沒有老師的介入下，自行分組，依據每週第一天老師所提的表演題目，於獨立創作課中自行發展排練。然後於課堂中呈現。
工作坊日期／時間：
２００８年９月１８日（星期四）＠ 7:00pm ~ 11:00pm
２００８年９月１９日（星期五）＠ 7:00pm ~ 11:00pm
２００８年９月２０日（星期六）＠ 3:00pm ~ 6:00pm &
7:oopm ~ 10:00pm
２００８年９月２１日（星期日）＠ 11:00am ~ 2:00pm &
3:00pm ~ 6:00pm
工作坊地點：
工作坊人數：
１５至２０人
工作坊對像：
演員、導演及戲劇訓練導師等
工作坊收費：
RM 380 （２０小時）
聯絡方式：
０１２﹣６０７１３１８／０１２﹣２６６１５７９
pentasproject@gmail.com
報名及繳費方式：
１．有興趣可用電話或電郵和我們聯絡，之後我們將會把報名表格寄到
你的電郵信箱。
２．報名後需在８月３０日前繳交研習費。如沒在指定的限期內繳交研習
費，主辦單位將有權力把名額轉讓給其他有興趣者。
３．繳費方式：﹣
a.可親自把費用交給工作坊負責人
b. ATM轉帳付費或支票匯款。
銀行戶口名字：Pentas Project Theatre Production
銀行： Public Bank
帳號：３１４１７６０７２４
４．匯款後請用電話或電郵的方式和我們聯絡，以確認您的姓名及匯款
帳號。
５．請務必保留提款機列印的收執聯或任何匯款回條，以做為相關證明。
贊助單位：
HSBC in the arts
中華民國僑務委員會
KLPac
Colorganda!
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馬照棋簡介
沙丁龐客劇團團長，劇場編導、演員、表演老師、戲劇書藉翻譯。
１９９７年台灣大學經濟系畢業，在校期間即參與台大話劇社演出及製作。
１９９９年到紐約大學教育劇場系 (Education Theatre, NYU )碩士，並參與倫敦及愛丁堡社區劇場及教育劇場工作研習營。
２００１年畢業於巴黎賈克樂寇國際戲劇學校 (Ecole internationale de theatre Jacques Lecoq)，專研默劇、小丑、體操、意大利即興喜劇、希臘悲劇、中性面具、半臉面具、通俗劇、即興、丑角(Bouffon)等，同時接受導演與編劇的訓練。
翻譯作品：由賈克樂寇所著之表演理論書藉 《詩意的身體》(Le Corps Poetique)，於２００５年２月由桂冠書局出版。
２００５年初成立沙丁龐客劇團。２００７年推出自導自演女丑獨角戲《一個人的晚餐》。目前為臺北藝術大學戲劇系兼任講師，台灣藝術大學戲劇系兼任講師，並不時受邀主持短期工作坊。
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賈克．樂寇 ( Jacques Lecoq, 1921-1999)
當代最具啟發性的戲劇教師。二次大戰時期為運動員及物理治療師時，開始了對於身體結構與運動方式的研究。１９４８年前往意大利，擔任戲劇老師與劇場導演。１９５２年他與朋友共同創立了位於米蘭的皮可羅劇團 (Piccolo Teatro)戲劇學校。１９５６年他回到巴黎，成立了著名的默劇與戲劇國際學校 (Eecole International de Mime et de Theatre)。賈克樂寇對於人類肢體語言之研究具有極大的興趣，但是他排斥僅局限於傳統啞劇與純粹模仿的狹義默劇。藉由意大利即興喜劇的啟發，他開發出戲劇肢體的新的可能性並且不再將語言屏除在外，同時也發展出對個性小丑的研究，以及面具的表演技巧，並於世界各地主要戲劇節主持戲劇研習營與工作坊。
Pentas Theatre Workshop Series 003
Le Corps Poetique - Jacques Lecoq Technique Theatre Workshop
** Workshops will be conducted in Mandarin & English
conducted by Ma Chao Chi from Taiwan
The workshop will emphasize the basic techniques of the Lecoq School, and also highlight the relationship between the performing body, space, time, rhythm as well as the play itself. The contents include non-verbal improvisation practice, analyzing movement, Masque Neutre and more.
Analyzing Movement : We will explore the rules of man's movement through imitating and analyzing movement in our daily lives. The analyzing of movement also includes mime, gymnatics, theatre games and fighting movements. Through all these practices, we will be able to look into the coordination of the body and also the most important element of performing - the 'game'.
Improvisation Practice : Includes non-verbal improvisation practice, performing and rhythm, relationship with space , imagination and performing tactics practice, colour, words, music and substance.
Masque Neutre : Masque Neutre is a mask without facial gestures. It represents physical and mental conditions that are totally balanced and coordinated. Under Masque Neutre, the actor must abandon all the physical and mental habits of oneself, and return to the most natural self, as if a piece of white paper.
Exploring the Genres : We will explore the following genres of drama through the condition of pushing and pulling, that is, Melodrama, Tragedy and Commedia dell' Arte.
Special Topic on Movement : Through the practice of physical movement, experiencing the balanced and unbalanced condition of the body, the conditional of the body in relation to direction and space, the direct and pure reflection of strength, eventually connecting the inner situation with physical movement.
Independent Creativity : The Participants will be divided into a few groups without the influence of the instructor. Participants will be given a topic and will need to rehearse and finally present it in class.
++++++++++++++++++++++++++++++++++++++++++++++++++++
Organized by :
PENTAS PROJECT THEATRE PRODUCTION
Date / Time :
18th September 2008 ( thursday ) 7:00pm ~ 11:00pm
19th September 2008 ( friday ) 7:00pm ~ 11:00pm
20th September 2008 ( saturday ) 3:00pm~6:00pm and 7:00pm~10:00pm
21st September 2008 ( sunday ) 11:00am~2:00pm and 3:00pm~6:00pm
Venue :
Kuala Lumpur Performing Arts Centre ( KLPac )
Target participants :
Actors, Directors and Acting Coaches etc.
Fees :
RM 380
Contacts :
012-2661579 / 012-6071318 / pentasproject@gmail.com
Supported by :
HSBC in the arts ,
中華民國僑務委員會，
KLPac,
Annexe, Central Market,
Colorganda!
How to apply and paying application fees :
1. If you are interested, please e-mail or give us a call, we will then e-mail an application form to you.
2. Please complete the application form and e-mail it back to us. The workshop fees must be paid before 30th AUGUST. If payment is not received in time, the organizer has the right to cancel your application.
3. Payment :-
a) Pay cash directly to the person in charge of the workshop
b) Bank directly into our account or write us a cheque
Account Name : Pentas Project Theatre Production
Bank : Public Bank
Account Number : 3141760724
4) After banking in, please notify us via phone or e-mail details of your name and deposit numbers.
5) Please keep the deposit slip for further confirmation.
****************************************************
Ms Ma Chao Chi is a famous theatre director, actress and theatre teacher from Taiwan. She is also a Professor at the National Taiwan University of Arts, as well as at the Taipei National University of Arts. After completing her studies in Humanity and Economy at the National Taiwan University, Ms. Ma decided to take-up professional theatre study (an Educational Theatre program ) at New York University. She then went on to study at the International School of Theatre Jacques Lecoq in Paris where she learned Mime, Acrobatics, Masks, Clown, and physical theatre. She translated the book ' Le Corps Peotique' by Mr Jacque Lecoq from French to chinese, published in 2005 by Laurel Publishing Company, Taiwan.
Jacques Lecoq (December 15, 1921 ~ January 19, 1999) was a French actor, mime and acting instructor. Born in Paris, he is most famous for his methods on physical theatre, movement and mime taught at IEcole Internationale de Theatre Jacques Lecoq from 1956 until his death in 1999.
Lecoq began his career by studying physical education and sport. after teaching this subject for several years, he found himself acting and a member of the Comediens de Grenoble. This company and his work with Commedia dell'arte in Italy (where he lived for eight years) introduced him to ideas surrounding mime, masks and the physicality of performance.
Wednesday, June 18, 2008
Tuesday, May 27, 2008
平台计划 剧场工作坊系列之 《演剧工作坊》
平台剧场工作坊系列002演剧工作坊
指导老师 朱宏章
演剧工作坊课程介绍
舞台行动概说与交流
1）何为舞台行动与规定情境
2）行动三要素－－做什么？为什么？怎么做？
3）正确执行舞台行动的逻辑与顺序
4）在行动中真实交流
情绪与感官记忆
1）记忆中的事件、对象与画面
2）五种感官－－视觉、听觉、味觉、触觉、嗅觉
3）情绪与感官记忆的交替作用
无实物
1）演员的梳洗
2）信念感
3）专注力
4）与物件的交流与适应
合理化
1）动作的合理化－－赋予行动的意义与逻辑
2）语言的合理化－－赋予画面的意义与逻辑
隐秘的冲突
1）自我的冲突
2）彼此的冲突
3）真听、真看、真感觉
pentas theatre workshop serious 002
Acting in Drama Workshop
conducted by Chu Hung Chang from Taiwan
**workshop will conduct in mandarin with english interpreter
contents of workshop
Stage Action : Introduction and Interactions
1. What is action and defined environment
2. The 3 elements of action : what?why?how?
3. To correctly carry out the logic and order of stage action
4. Interact in action
Memory of emotions and senses
1. Occurrence, subject and images in memory
2. 5 senses : sight, hearing, taste, touch and smell
3. The alternate use of memory of emotions and senses
No Real Object
1. The frenshen up of actors
2. Belief
3. Concentration
4. Interact with and Adept to the object
Rationalize
1. The rationalization of acting : meaning and logic given to action
2. The rationalization of language : meaning and logic given to image
The hidden conflict
1. The conflict within oneself
2. The conflict between each other
3. The ability of improvisation
4. Truly listen, seeing and feeling
+++++++++++++++++++++++++++++++++++++++++++++++++++
研习日期/时间 Date & Time
18/07/2008(friday)@ 7:00pm~11:00pm
19/07/2008(saturday)@ 2:00pm~6:00pm & 7:00pm~11:00pm
20/07/2008(sunday)@ 11:00am~3:00pm & 4:00pm~8:00pm
地点venue
吉隆坡表演艺术中心\ Kuala Lumpur Performing Arts Center (KLPac)
上课人数 number of participants：
15 to 20 people
工作坊对像 target participants：
演员、导演、戏剧训练导师及对表演有兴趣的人士
Actors, Director and Acting Coach etc
研习费用 workshop fees：
RM 380 （20 hours）
报名及缴费方式：
1。有兴趣者可用电话或 email 和我们联络，之后我们将把报名表格寄到你的电邮信箱。
2。报名后需在6月22日前缴交研习费。如没在指定的限期内缴交研习费，主办单位将有权力把名额转让给其他有兴趣者。
3。缴费方式：－
a. 可亲自把费用交给工作坊负责人
b. ATM 转帐付费或支票汇款
Account Name : Pentas Project Theatre Production
Bank : Public Bank
Account Number : 3141760724
4。汇款后请用电话或 email 的方式和我们联络，以确定你的姓名及汇款账号。
5。请务必保留提款机列印的收执联或任何汇款回条，以做为相关证明。
a. If you're interested, please email or give us a call, we will then email you an application form.
b. After sending us back the application form, please pay the workshop fees before 30th June. If you do not pay the application fees on time, the organizer has the right to give the opportunity to others who are interested and cancel your application.
c. How to pay the workshop fees :-
* Pay it directly to person in charge of the workshop.
* Banked in our account or write us a cheque.
Account Name : Pentas Project Theatre Production
Bank : Public Bank
Account Number : 3141760724
d. After banked in, please notify us via phone or email to make sure your name and deposit numbers.
e. Please keep the deposit slip for further confirmation.
联络方式 contacts：
012-2661579 / 012-2744292 / pentasproject@gmail.com
+++++++++++++++++++++++++++++++++++++++++++++++++++
profile of instructor
Chu Hung Chang
Theatre actor, director and educator, Chu Hong Chang holds a M.F.A in performing arts from National Taiwan University of the Arts and a PHD from Beijing Central Academy of Drama. He is now a full time lecturer in the Department of Drama, Chinese Culture University (Taiwan). He has also lectured in National Taipei University of the Arts, National Taiwan University of the Arts, Shih Hsin University and many others. He had performed in various theatre performance with some of the most important contemporary theatre company on Taiwan. In 2006, Hong Chang was the acting coach for Ang Lee's " Lust, Caution".
指导老师简历
朱宏章
剧场演员、导演、戏剧教师。国立艺术学院表演艺术硕士，北京中央戏剧学院博士，现任中国文化大学戏剧学系专任讲师。曾任教於台北艺术大学、台湾艺术大学、台北教育大学、世新大学等校。曾参与台湾表演工作坊、创作社、优剧场、密猎者、大开剧团与新加坡实践剧场、香港非常林奕华等团体的演出创作。2006夏担任李安电影《色。戒》演员训练。2007年至2010年担任香港学术及职业资历评审局行业／科学专家。
导演作品：
2008
〈老鼠娶亲〉 爱乐剧工厂／国家戏剧院
2007
〈福春假女〉 客委会与中正文化中心／国家戏剧院／副导演
〈窗内的风景〉 文化大学戏剧系／澳门文化中心小剧场
2006
〈母亲的嫁衣〉 06版 大开剧团／国家剧院实验剧场
2005
〈母亲的嫁衣〉 05版 大开剧团／台中20号仓库
〈求婚的蠢货〉 台湾艺大戏剧系／北市政府亲子剧场
2004
〈呈现本〉 大开剧团／台北20号仓库
〈霍别东。如狗之辈〉台湾艺大戏剧系／台湾艺大演艺厅
〈吕泉生乐展〉 中正文化中心／国家音乐厅
2001
〈旧梦新庄〉 新庄扮戏团／新庄艺文中心
2000
〈苍蝇和蚊子〉 新庄扮戏团／新庄艺文中心
〈从此，他们过著幸福快乐的日子〉 复兴高中戏剧科／复中小剧场
〈真心的愚罪〉 艺术学院独立呈现／艺术学院T305
1999
〈一个平凡的日子〉 艺术学院独立呈现／艺术学院 T305
1998
〈只不过是一只猫〉 新庄扮戏团新庄艺文中心
1997
〈使女〉 艺术学院独立呈现／艺术学院 T305
1993
〈月晕〉 台湾艺专戏剧科／台北县文化中心
表演作品：
2008
〈水浒传〉 亚洲巡演 台湾两厅院与非常林奕华／台北、新加坡、香港、澳门
2007
〈西游记〉 台湾两厅院与非常林奕华／国家戏剧院
2006
〈水浒传〉台湾两厅院与非常林奕华／国家戏剧院
〈雷雨〉 新加坡实践剧团新加坡维多利亚剧院
2005
〈人民公敌〉 黑门山上的剧团／城市舞台
〈如梦之梦〉 表演工作坊／国家剧院
2004
〈流亡〉 台湾艺人馆／华山特区
〈威尼斯双胞案〉 表演工作坊／国家戏剧院
2003
〈林旺爷爷说故事〉 如果儿童剧团／中山堂光复厅
2001
〈海上旅馆〉 差事剧团／差事小剧场
2000
〈离城记〉 密猎者剧团／皇冠小剧场
〈她的小说。我的故事〉 密猎者剧团／国家剧院实验剧场
〈X小姐〉艺术学院戏剧系／国家剧院
〈琴欲二重奏〉 四度空间剧团／皇冠小剧场
〈旅行生活〉 密猎者剧团／皇冠小剧场
1999
〈我是一朵花〉 四度空间剧团／皇冠小剧场
〈末世纪童话〉 L209剧团／皇冠小剧场
〈天使尘埃〉 舞蹈空间舞团／城市舞台
〈情人〉 四度空间剧团／耕薪小剧场
〈棉花炸弹〉 公视人生剧展／公共电视
1998
〈无言剧一、二及插曲〉 密猎者剧团／皇冠小剧场
〈WIDOW98－浮城奇书〉 密猎者剧团／国家剧院实验剧场
〈KIKI漫游世界〉 创作社剧团／新舞台
〈行走的人－走向内在天堂〉 密猎者剧团／国家剧院实验剧场
1997
〈夜夜夜麻〉 创作社剧团／新舞台
〈罗森与吉尔四了〉 艺术学院戏剧系／艺术学院 T305
〈审判〉 临界点剧象录／国家剧院实验剧场
1996
〈钦差大臣〉 艺术学院戏剧系／学术学院戏剧厅
〈无路可出〉 艺术学院戏剧系／艺术学院 T305
1995
〈春天的花蕊〉 金枝演社／皇冠小剧场
1994
〈优人神鼓〉 优剧场／老泉剧场
〈争〉 优剧场／台北车站演艺厅
1992
〈漠.水镜记〉 优剧场／老泉剧场
〈山月记〉 优剧场／老泉剧场
＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋＋
link
supported by
HSBC in the ARTS
KLPac
Colorganda!
Tuesday, April 29, 2008
Repot [Mind+Mine] 2008 Malaysia Tour
［思想＋自分］报告 2008马来西亚巡回
Repot [Mind+Mine] 2008 Malaysia Tour
这是一份正经又不正经的演出报告。
幽默的探索语言在马来西亚的尴尬与窘境。
2006年参与“击破：剧场合作交流计划“於吉隆坡首演，
并於2008年受邀到东京及新加坡巡回演出。
如果他们的时间可以重来
如果他们走进了比。南利的世界
如果他们告诉你。。。和我
在恒常落雨的南国
“语言“只是一种吊跪的叭啦叭啦叭啦叭啦
This is a formal yet informal report. Premiered in 2006 at Kuala Lumpur
As part of the "Break-ing : Pentas Theatre Collaboration Project"
it now continues its international tour to Japan and singapore in 2008
Repot [Mind+Mine] humorously explores
the situations and irony in the Malaysian lingo
If they could go back in time, if they walk into the world of P.Ramlee,
if they tell you and me - Language is only a strange kind
of blah, blah, blah, blah, blah...
每场演出结束后将设演出交流会 Q & A session after the performance
Penang / +604 263 5402 / +6 012 451 9304
shebatdesliva@yahoo.co.uk / greenhall@theactorsstudio.com.my
ticket> RM20
24(sat)May08@8:30pm
25(sun)May08@3:00pm
The Actors Studio Greenhall, Penang
J. Bahru / + 6 012 960 7788 / sgteoh@sc.edu.my
ticket>RM15(adult)RM10(student)
15(sun)June08@3pm&8pm
南方学院艺术与设计学部2楼课室337－338，JohorBahru
********************************************************
导演/灯光设计 director / lighting design
罗国文 loh kok man
演员 cast
曾宏辉 chen huen phuei
颜果 gan hui yee
陈彩珍 tan chai chen
蔡德耀 lyle chua teck yeo
演出文本 performance text
罗国文 loh kok man
张敏华 teoh ming wah
陈燕棣 tan yan tee
巫绍棋 moo siew kee
颜果 gan hui yee
陈彩珍 tan chai chen
林耀华 lim yeow haw
舞台设计 set design
张忠勇 caecar chong
音乐与音效设计 music composition and sound design
黄楚原 ng chor guan
影像设计 video artist
区琇詒 au sow yee
舞台监督 stage manager
黎百龄 jason lai
************************************************************
Workshop>
剧场工作坊：
从喜悦与压力中开发你的剧场表演艺术
Exploration on Theatre Arts Through Pleasure and Pressure
创意不单只是天分，而是一种习惯，一种兴趣，一种教育。从学习思考与判断的初期，以戏剧的生动帮助你认识自己和群体。经由游戏的喜悦，开展隐藏的天分，让创意与想像力飞腾。从满足与愉悦的过程中亦可享受挫败，让挫败在喜悦中转动，把阻力成为推动力，以积极、隽永及开放的态度去面对压力。
Creativity is not only a talent, but also a habit, an interest and a kind of education. From early stage of learning how to think and how to judge, we will help you recognize yourself and the group with many lively activities of theatre. Through pleasure in "play", your hidden talent will then demonstrate its broadest freedom, creativity and imagination, You will be contented and happy through the process, and enjoy your failure, frustrates the feeling to turn joyfully, becomes the resistance the propelling force, can to be more positive, meaningful and open-minded manner goes facing the pressure.
Penang > 24(sat)May 08@2pm-5pm
J.Bahru > 15(sun)June08@11am-1pm
************************************************************
Southern College 南方学院
PTD 64888, 15KM, Jalan Skudai, P.O.Box 76, 81300 Skudai, Johor
The Actors Studio Greenhall
Ground Floor Zhong Zheng School Memorial Centre 32, Lebuh Light, 10200 Penang
Pentas Project Theatre Production 平台计划
info@pentasproject.com
Links
*******************************************************************
Supported by
HSBC in the Arts
The Actors Studio
Southern College
Colorganda! ; brading & design
Monday, April 21, 2008
Monday, March 17, 2008
Theatre Workshop by Mr.Pradit (Tua) Prasartthong from Makhampom Thailand
Malaysia + Thailand Artist Theatre Collaboration Project
Pentas Project (Malaysia) + Makhampom (Thailand) 马来西亚＋泰国剧场合作交流计划
平台计划（马来西亚）＋Makhampom （泰国）
workshop 001
"Let The Body Talk" a movement & text workshop
An introduction to Makhampom's intercultural physical performance style through a group devised process. Through a series of Makhampom's physical theatre games and warm-up, participants will develop a collection of body shapes that, through group process, will be the basis of creating short performance.
透过团体的活动，向参与者介绍 Makhampom 的跨文化肢体表演风格。指导老师将以一系列的 Makhampom 肢体剧场游戏以及热身活动，引导参与者发展出一套身体语言，并将它发展成一个简短的演出。
This workshop is good for dancer, mover, actor and non-actor
适合舞者、肢体演员、演员以及非演员。
Date : 20th April 2008
Time : 10am~1pm and 2pm~5pm (totally 6 hours)
Number of participant : 15 people
Venue : KLPac ( to be confirm)
Fees : RM 150
workshop 002
"Theatre for youth development workshop"
Thailand Makhampom theatre's mytho;ogy for actor and non-actor
泰国 Makhampom剧团给演员和非演员的训练。
The Makhampom Theatre Group began working in 1980, applying theatre process for community cultural development. In conducting a dual program of production-oriented development work, Makhampom has developed an extensive toolkit of activities that it now applies in various contexts. Makhampom currently had four streams-performance, Community, Education and International Programs - through which the theatre praxis is applied.
Makhampom 剧团自1980年起，积极把剧场艺术带入社区文化的建设。多年来，剧团朝制作演出和投入社会文化活动作双线发展，也因此发展出一组活动的工具箱，应用在不同的内容上面。 Makhampom剧团目前的活动以剧场为主轴，分成4个主要面向，演出、社区、教育以及国际交流。
This workshop will introduce several of the performance, educational and community-based approaches of Makhampom through an integrated, participatory workshop. This will include activities designed for young people in addressing localizaed themes and issues through theatre based execises, followed by series of group-based theatre-devising process. The exercises will include theatre games, social mapping, physical storytelling, and experiential body-based devising work. At the completion of the workshop the participants will also prepare a showcase of performance material deriving from the workshop.
此工作坊将透过密集的参与性活动，向参与者介绍 Makhampom 其中一些有关演出、教育以及社区的理念。这包括为青少年依据本土性的主题和问题而设计，以戏剧为主体的活动，如剧场游戏、用身体来说故事、寻找社会议题以及感知身体等，此工作坊将以参与者从上课内容发展出来的演出作结束。
This workshop is good for theatre workers and educators applying theatre in the dual function of product and process. The facilitator will take you through a series of workshop exercises as an experience in Makhampom's theatre approach.
适合以戏剧具备双重功能为理念的剧场或教育工作者。
Date: 19th April 2008
Time: 10am~1pm and 2pm~5pm
Number of participant : 15 people
Venue : KLPac (to be confirm)
Fees: RM 150
Mr. Pradit (Tua) Prasartthong
is Makhampom's secretary general and most senior member, joining Makhampom in 1982. For over a decade he has been director and visionary of the group. He is renowned for his work in the fusion of traditional and contemporary theatre styles and was recently awarded by the Ministry of Culture as Thailand's leading national contemporary performing artist. He is trained in classical and contemporary performance and applies these skills together with his TCCD experience, as facilitator, director, dancer, actor and dramaturge. He has recently returned from fellowship in USA and is involved in several international collaborations.
Mr. Pradit(Tua) Prasartthong 是 Makhampom剧团的秘书长以及最资深的成员。10年以来，他都是剧团的导演和支柱。他以结合传统和当代的剧场元素而闻名，最近更获得泰国文化部颁发泰国当代表演艺术家奖。他同时也是一位导演、舞者、演员、戏剧家以及老师。他刚刚完成了他在美国获得的奖学金计划，也曾经参与多个国际性的剧场合作计划。
link : Makhampom
For more information and registration please call
012-2661579 / 012-2744292 / 016-2084449
email : pentasproject@gmail.com
organised by: Pentas Project Theatre Project 平台计划
supported by: HSBC in the Arts
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